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<title>Using Chat GPT to refine narratives</title>
<link>https://blogs.ed.ac.uk/mediahopper/2023/12/13/using-chat-gpt-to-refine-narratives/</link>
<comments>https://blogs.ed.ac.uk/mediahopper/2023/12/13/using-chat-gpt-to-refine-narratives/#respond</comments>
<dc:creator><![CDATA[Liam Duffy]]></dc:creator>
<pubDate>Wed, 13 Dec 2023 12:11:21 +0000</pubDate>
<category><![CDATA[AI]]></category>
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<description><![CDATA[2023 has been the year of chatting with robots. Not in a fun-and-hijinks ‘Short Circuit’ way, but in a less...]]></description>
<content:encoded><![CDATA[<p>2023 has been the year of chatting with robots. Not in a fun-and-hijinks ‘Short Circuit’ way, but in a less hilarity-inducing ‘lets spend 20 minutes phrasing this perfectly so I actually get something useful’ way. A lot of companies have been working on growing ‘large language models’ for use in AI for a while, but the one that really captured people’s attention in 2023 has been OpenAI’s ChatGPT.</p>
<p>There are many other flavours of AI chatty-Cathy’s out there with colourful names such as Bard, Claude, Grok, LLaMA, Bothan, and Ernie Bot (one of those I made up*), but ChatGPT has become the go-to chatbot for a lot of people, with over 100 million users registered on the service. In the past 12 months, the top 2 fastest-rising search terms on Google from the UK are ‘ChatGPT’ and ‘Chat GPT’.</p>
<p><img decoding="async" class="alignnone size-medium wp-image-121" src="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/Screenshot-2023-12-13-at-09.38.55-300x253.png" alt="" width="300" height="253" srcset="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/Screenshot-2023-12-13-at-09.38.55-300x253.png 300w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/Screenshot-2023-12-13-at-09.38.55.png 585w" sizes="(max-width: 300px) 100vw, 300px" /></p>
<p>While there are a lot of uses for ChatGPT and similar AI services, one that has some people worried about its potential impact is its use for creative purposes. The use of AI-generated images and music has raised questions about whether human artists will get shut out of the process if it’s quicker and cheaper to ask a bot to create art, and the recent SAG-AFTRA and WGA strikes that took Hollywood to a grinding halt earlier this year was at least in part because of the actors and writer’s unions wanting to ensure there were protections in updated contracts to limit AI’s impact on filmmaking.</p>
<p>While we’re likely at least a few years away from the best original screenplay Academy Award going to ChatBot_182.432.1REV3, ChatGPT can be used as a tool in a lot of ways for narrative storytelling. It certainly can write a full story for you, but it can go off in pretty wild places with some… <em>interesting </em>narrative choices.</p>
<p>With the simple prompt ‘Hey ChatGPT, write me a story’, I got a 450 word tale of a character named Luna who lived in a ‘Blade Runner’-esque neon city worked as a librarian by day, and by night used her supernatural powers to turn the books on her shelves in to magical realms. She proceeds to find a kingdom in peril, talk to a wise old owl and a mischievous sprite, solve puzzles, go through enchanted forests, and save the day using the power of imagination. That’s a lot to cram in to 450 words. <em>You can read the full story here with the password LunasMidnightOdyssey – <a href="https://blogs.ed.ac.uk/mediahopper/lunas-midnight-odyssey/">full story</a></em></p>
<p>This is one of the problems with just giving ChatGPT free reign to do what it ‘wants’ when being creative, it doesn’t really understand scale or that just throwing every plot point it can generate in to a list doesn’t really make a story.</p>
<figure id="attachment_130" aria-describedby="caption-attachment-130" style="width: 700px" class="wp-caption aligncenter center"><img decoding="async" class="aligncenter size-large wp-image-130" src="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-1024x684.jpg" alt="" width="700" height="468" srcset="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-1024x684.jpg 1024w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-300x200.jpg 300w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-768x513.jpg 768w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-1140x761.jpg 1140w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c.jpg 1536w" sizes="(max-width: 700px) 100vw, 700px" /><figcaption id="caption-attachment-130" class="wp-caption-text">Old College by Playfair, William, University of Edinburgh is available under a CC BY 3.0 Unported licence. https://images.is.ed.ac.uk/luna/servlet/s/m671gu</figcaption></figure>
<p>ChatGPT’s really power for creating narrative, at least in its current state, is in using it to refine a story, or to help work through ideas. Let’s say I’m trying create a new video for Media Hopper Create about the history of Old College, and want to write a voice over. Here’s a quick draft:</p>
<blockquote><p>Old College its part of The University of Edinburgh and was mostly built from the late 18th to early 19th century. Originally named ‘New College’, it is a Category A listed building located on South Bridge. The original design was by Robert Adam, with the modern design being completed by William Henry Playfair. The dome was added to the building in 1887, with a gilded statue of Youth by John Hutchinson.</p>
<ul>
<li>Original version</li>
</ul>
</blockquote>
<p>I wrote this in about 5 minutes with information culled from <a href="https://en.wikipedia.org/wiki/Old_College,_University_of_Edinburgh">Wikipedia</a>, and while perfectly serviceable, it’s possibly a little perfunctory. I asked ChatGPT what it thought of my script, and it decided (unprompted) to re-write it for me to make it more ‘engaging’:</p>
<blockquote><p>Welcome to Old College, a majestic structure nestled within the heart of The University of Edinburgh. Originally named ‘New College,’ this architectural gem traces its roots back to the late 18th century. Designed by the renowned Robert Adam, its timeless elegance was later completed by William Henry Playfair in the 19th century.</p>
<p>Situated on South Bridge, Old College stands as a Category A listed building, a testament to its historical and architectural significance. In 1887, a crowning touch was added to the structure in the form of a magnificent dome. Adorning the pinnacle is a gilded statue of Youth, a creation by the skilled hands of John Hutchinson.</p>
<p>As you stand in awe of Old College, it’s not just a building; it’s a living testament to the evolution of academia and architecture. The melding of the past and present, with each stone whispering stories of the scholars who once walked its halls. Today, Old College continues to be a symbol of academic excellence and a revered landmark in the vibrant tapestry of The University of Edinburgh.</p>
<ul>
<li>Revision from ChatGPT</li>
</ul>
</blockquote>
<p>This new version does feel more like a narrative than just a list of facts, and the language use is definitely more descriptive, it goes a bit overboard with the use of evocative metaphors. To try and rein it in a bit, I added this prompt: “That’s a little bit over the top with descriptive language, can you scale it back a little?”. This is the new version:</p>
<blockquote><p>Old College, part of The University of Edinburgh, has a rich history dating back to the late 18th century. Originally called ‘New College,’ its design, led by Robert Adam and later completed by William Henry Playfair, stands as a testament to architectural craftsmanship.</p>
<p>Situated on South Bridge, this Category A listed building gained its distinctive dome in 1887, crowned with a gilded statue of Youth by John Hutchinson. Today, Old College preserves the charm of its past, serving as a key landmark in the University’s legacy.</p>
<p>Explore the echoes of academia within Old College’s walls, where each brick tells a story of the scholars who once roamed its corridors. This historic structure, with its timeless design, remains an enduring symbol of The University of Edinburgh’s journey through time.</p>
<ul>
<li>Revision 2 by ChatGPT</li>
</ul>
</blockquote>
<p>This time it removed some of the descriptive language of the building itself, but it replaced a metaphor of it being ‘a revered landmark in the vibrant tapestry’ of the university with one about ‘each brick telling a story’. Let’s try refining it one more time – here’s the latest version with my prompt “How about you remove some of the metaphors, but give more descriptive language?”:</p>
<blockquote><p>Old College, integral to The University of Edinburgh, has a fascinating history rooted in the late 18th century. Originally christened ‘New College,’ it boasts an architectural legacy shaped by Robert Adam and later refined by William Henry Playfair.</p>
<p>Nestled on South Bridge, this distinguished Category A listed building acquired its iconic dome in 1887, adorned with a gilded statue of Youth crafted by John Hutchinson. Old College serves as both witness and custodian to the University’s journey through time.</p>
<p>Step into its storied corridors and be transported to an era when scholars traversed its halls. Each brick and beam narrates tales of academic pursuits and intellectual growth. Old College stands today, not just as a historic landmark, but as a living tribute to The University of Edinburgh’s enduring academic tradition.</p></blockquote>
<p>At this point it feels like ChatGPT is stuck just reiterating on a specific style of writing. This is one of the issues I hit when looking to use a chatbot for anything creative – the model it’s using to generate text has a specific style and there isn’t an easy way to break out of that. While ChatGPT is great for helping point you in the right direction, most of the time things will still need to be edited and refined manually to fit the exact purpose you need it for.</p>
<p>How about we experiment with this further, and see how well it handles a change in tone. I added the a new prompt to change the genre, but not the content: “What if this was the Voice Over for a horror film?”</p>
<blockquote><p>“Deep within the shadows of The University of Edinburgh lies Old College, a structure steeped in a history that echoes with whispers of the supernatural. Once named ‘New College,’ its unsettling evolution began in the late 18th century under the design of Robert Adam, later twisted by the hands of William Henry Playfair.</p>
<p>Perched ominously on South Bridge, this foreboding Category A listed building acquired an eerie dome in 1887, crowned by a gilded statue of Youth, a macabre creation by the twisted artist John Hutchinson. Old College, now a haunting relic, conceals not only the secrets of academia but a darker, malevolent force.</p>
<p>As you traverse its desolate corridors, the air thickens with the chilling tales of scholars who met untimely fates within its haunted walls. Every brick, every step resonates with an otherworldly presence. Old College stands not as a symbol of knowledge, but as a portal to the supernatural, where the past lingers, and the spirits of the damned find no rest.”</p>
<ul>
<li>ChatGPT’s voice over for a horror film</li>
</ul>
</blockquote>
<p>Ok, a lot to unpack… not only is this now borderline defamatory calling famed sculptor John Hutchinson a ‘twisted artist’ who created ‘macabre creations’, claims that Old College is where ‘the spirits of the damned find no rest’ and is literally a ‘portal to the supernatural’, but it is <em>still</em> using that metaphor of ‘every brick tells a story’.</p>
<p>While overly flowery language can be a bit of a handful to prune back, this last revision shows where the creative ‘choices’ ChatGPT uses can start to turn truth in to pure fabrication. The original core of the facts from my initial script are still there (the dates, the people involved, the legacy), it uses those to create completely a fictitious narrative.</p>
<p>The creative uses for ChatGPT are vast, but as an AI it has no concept of how it <strong>should</strong> use the information in your prompts, only what it <strong>can</strong> do. Chat bots can be a useful tool, but just remember to keep it on a short leash.</p>
<p> </p>
<p>*’Bothan’ is actually a lesser-known species from Star Wars: <a href="https://en.wikipedia.org/wiki/List_of_Star_Wars_species_(A–E)#Bothan">https://en.wikipedia.org/wiki/List_of_Star_Wars_species_(A–E)#Bothan</a></p>
<span class="uoe-published-time uoe-seo-hidden-area">
<time datetime="2023-12-13" itemprop="dateModified">Dec 13, 2023</time>
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<title>What is 360º Video? – The Early Days…</title>
<link>https://blogs.ed.ac.uk/mediahopper/2019/02/18/what-is-360o-video-the-early-days/</link>
<comments>https://blogs.ed.ac.uk/mediahopper/2019/02/18/what-is-360o-video-the-early-days/#respond</comments>
<dc:creator><![CDATA[Liam Duffy]]></dc:creator>
<pubDate>Mon, 18 Feb 2019 16:24:53 +0000</pubDate>
<category><![CDATA[DIY Film School]]></category>
<category><![CDATA[360º]]></category>
<guid isPermaLink="false">https://blogs.ed.ac.uk/mediahopper/?p=56</guid>
<description><![CDATA[This is part of a series of posts exploring 360º videos, going from its roots in expositions and theme parks,...]]></description>
<content:encoded><![CDATA[<p><i>This is part of a series of posts exploring 360º videos, going from its roots in expositions and theme parks, to how it can be recorded using your mobile phone and used in education.</i></p>
<h2>Cinéorama</h2>
<p>The Exposition Universelle, or better known as the 1900 Paris Exposition in English, was part of France’s drive to enter the 20th century with a reignited sense of cultural and national pride after devastation of the Great War. For nearly a decade before the exhibition grounds were due to open, countries around the world were invited to bring their greatest achievements and display their cultures on an international stage, part of the event’s bigger themes of unifying people.</p>
<p><figure style="width: 4195px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/c/c2/La_porte_monumentale%2C_Exposition_Universelle_1900.jpg" alt="" width="4195" height="2678" /><figcaption class="wp-caption-text">Brown University Library [Public domain]</figcaption></figure>Some of the highlights of the Exposition included a giant refracting telescope (60 meters long with a diameter of 1.5 meters), a display of photographs showing African American’s contributions to American society organised by sociologists and activists Booker Washington and <a href="https://en.wikipedia.org/wiki/W.E.B._Du_Bois">W.E.B. Du Bois</a> , and in a fit of what I can only imagine was either reckless abandonment or an over-eagerness to please the visiting crowds, a Russian sparkling wine won the “Grand Prix de Champagne” beating several French vintners. The first Olympic Games outside of Greece took place during the Exposition, with the winners receiving 100 francs, a tie pin, and a commemorative pencil.</p>
<p>One of the biggest draws of the Exposition was the introduction of two of the great innovations in the world of cinema: the first wide-scale demonstration of recorded sound synced with moving image, and 360º panoramic projections. Obviously the latter of the two had the greater impact in the history of entertainment. I mean, come on, how many people actually watch films with audio?</p>
<p>Oh, what’s that? Most people do? Pretty much every piece of commercial film created in the last 80 years has had synchronised sound? Nobody uses 360º panoramic video projections beyond some very limited applications? Hmm.</p>
<p>The French Cinéorama was designed and constructed specifically for the Exposition by <a href="Raoul Grimoin-Sanson">Raoul Grimoin-Sanson</a>, with the intention being to replicate a ride on a hot air balloon over Paris using ten synchronised projectors housed under the ‘basket’ of the stationary balloon model.</p>
<p><figure style="width: 1199px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/a/a6/Cineorama.jpg" alt="" width="1199" height="850" /><figcaption class="wp-caption-text">Louis Poyet [Public domain]</figcaption></figure>Built on the technology that English inventor <a href="https://en.wikipedia.org/wiki/Robert_W._Paul">Robert Paul</a> had been working on in the late 1890’s to project moving image on a screen (which was in turn based on designs stolen from Thomas Edison’s single-viewer Kinetoscope machine), the Cinéorama would project moving images onto 10 screens, each 9×9 meters, arranged in a circle around the viewer. The film was shot using 10 cameras pointing outwards from a central point which housed the cranking mechanism that wound all of the cameras at the same time – early cinema cameras were usually hand-cranked, so this made sure that the image was captured at the same speed on each camera. This rig was then attached to a real hot air balloon as it flew 400 meters about the Tuileries Gardens, filming the ascent.</p>
<p><figure style="width: 600px" class="wp-caption alignleft"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/e/ec/Cineorama_camera.jpg" alt="" width="600" height="1019" /><figcaption class="wp-caption-text">Louis Poyet [Public domain]</figcaption></figure>People would board a giant hot air balloon model in the middle of the screens, the basket of which was big enough to hold 200 people, complete with rigging and the bottom half of a balloon suspended from the ceiling. Once ‘boarded’ the spectators would look out at the screens as the projectors showed the balloon take off. Once the experience had finished, they used some cinema magic to show the balloon landing again (they played the film backwards).</p>
<p>The Cinéorama lasted a glorious whole 3 days before the police shut it down due to safety concerns – one of the workmen had fainted from the immense heat of the arc lamps used in the projectors, and as these were housed directly beneath the viewing platform, it was considered an extreme fire hazard to the spectators. After the show was shut down in the middle of day 4, it has never been shown again.</p>
<p>Things didn’t faire much better for the Exposition Universelle – due the unexpectedly high running costs of the Exposition as a whole, it ended costing the organisers about 600 francs (around £2,000 in 2018) <i>more</i> per person than the cost of admission. This was the end of this streak of Parisian international fairs.</p>
<h2>Circle-Vision 360º</h2>
<p>The rebirth of commercial 360º panoramic films came with the opening of 1955’s ‘CIRCARAMA’ cinema in Disneyland, California, showing the short film A Tour of the West, soon followed by America The Beautiful.</p>
<iframe loading="lazy" src="about:blank" data-bs-src="https://www.youtube.com/embed/rmv_P_wcZG4?start=801" width="660" height="544" frameborder="0" allowfullscreen></iframe></p>
<p>The system used in Disneyland, named ‘Circle-Vision 360°’, improved on Grimoin-Sanson’s Cinéorama system in a number of ways, with the biggest difference being that instead of having the film projectors mounted under the audience’s feet (and causing a lot of fire-risks at the same time) an odd number of screens and projectors are used – this means that each projector is placed between the screens on the opposite wall of the purpose-built circular auditorium:</p>
<figure style="width: 2320px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://patentimages.storage.googleapis.com/3e/df/f2/ef5b770a26468d/US2942516-drawings-page-2.png" alt="" width="2320" height="3408" /><figcaption class="wp-caption-text">Walter E Disney, Iwerks Ub (1956). US Patent No. US2942516A. Retrieved from https://patents.google.com/patent/US2942516</figcaption></figure>
<p>This clever bit of mathematics allows the bulky projector systems to be hidden behind the ring of screens, providing more a more immersive experience to the audience.</p>
<p>The camera system used to record the footage, however, is remarkably similar Cinéorama’s – nine cameras are arranged around a central point facing outwards, with an internal mechanism keeping the cameras in sync.</p>
<p><figure style="width: 2364px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/5/59/Circle-Vision_360_camera_%2829638534777%29_%28cropped%29.jpg" alt="" width="2364" height="1965" /><figcaption class="wp-caption-text">elisfkc from Orlando, FL, United States [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons</figcaption></figure>The camera rig can be attached to the roof of a car or the underside of a helicopter. Given there was an intentional gap between each screen for the projectors to fit, later films used these to split-up the action between sections of the room. For example, they could show a full 360º film to start with, then fade the screens on one half of the room to show standard film footage on each screen, while maintaining the panorama on the other. This allowed for greater creative freedom, and removed the reliance of using the expensive Circle-Vision 360º cameras to capture all the footage.</p>
<p>Over the years, 5 different Disney theme parks have used Circle-Vision 360º for their attractions, and while the original has now closed at Disneyland in California, and it’s international variants at Tokyo Disneyland and Disneyland Paris closing in the early 21st century, there are 2 theatres still operating at Epcot – ‘Reflections of China’ and ‘Oh Canada!’ At each of their respective country’s pavilions in the World Showcase.</p>
<iframe loading="lazy" src="about:blank" data-bs-src="https://www.youtube.com/embed/SdUKRTeyKfU" width="660" height="544" frameborder="0" allowfullscreen></iframe> <em>Interestingly, you can actually watch this version in 360º using Google Cardboard or by clicking and dragging your mouse around the frame</em></pre>
<p> </p>
<p>Both of these act as quasi-tourism videos showing off the landscapes and cultural landmarks of each country …and the Canadian one also serves as a showcase for Martin Short’s comedic talents, so there’s that.</p>
<p>This idea of pure spectacle makes sense as a use for this pretty unique form of film-making, but it does highlight two of the biggest drawbacks of 360º cinema in an auditorium setting:</p>
<p>The first being the cost involved would make it prohibitive to film more than a few minutes worth of footage, both in terms of capturing using 9 high-quality cameras and running the multiple necessary projectors all day.</p>
<p>The second, and possibly most difficult to overcome: trying to craft a story where the viewer needs to constantly be turning their heads. Both of the 360º cinema formats mentioned here rely on the viewer being free to stand and turn all the way around to find and follow points of interest. Indicating where a person should be looking at all times is tricky when it might be behind them. Constantly having your characters announce themselves and give time for people to move around and look in their direction could kill the tension in your drama.</p>
<p><em>Thank you for coming along on our first journey in to 360º video. In our next article we’ll be diving in to the world of modern film and content creation for 360º and VR, and how this can be used in education.</em></p>
<span class="uoe-published-time uoe-seo-hidden-area">
<time datetime="2019-02-18" itemprop="dateModified">Feb 18, 2019</time>
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<title>Using Chat GPT to refine narratives</title>
<link>https://blogs.ed.ac.uk/mediahopper/2023/12/13/using-chat-gpt-to-refine-narratives/</link>
<comments>https://blogs.ed.ac.uk/mediahopper/2023/12/13/using-chat-gpt-to-refine-narratives/#respond</comments>
<dc:creator><![CDATA[Liam Duffy]]></dc:creator>
<pubDate>Wed, 13 Dec 2023 12:11:21 +0000</pubDate>
<category><![CDATA[AI]]></category>
<guid isPermaLink="false">https://blogs.ed.ac.uk/mediahopper/?p=120</guid>
<description><![CDATA[2023 has been the year of chatting with robots. Not in a fun-and-hijinks ‘Short Circuit’ way, but in a less...]]></description>
<content:encoded><![CDATA[<p>2023 has been the year of chatting with robots. Not in a fun-and-hijinks ‘Short Circuit’ way, but in a less hilarity-inducing ‘lets spend 20 minutes phrasing this perfectly so I actually get something useful’ way. A lot of companies have been working on growing ‘large language models’ for use in AI for a while, but the one that really captured people’s attention in 2023 has been OpenAI’s ChatGPT.</p>
<p>There are many other flavours of AI chatty-Cathy’s out there with colourful names such as Bard, Claude, Grok, LLaMA, Bothan, and Ernie Bot (one of those I made up*), but ChatGPT has become the go-to chatbot for a lot of people, with over 100 million users registered on the service. In the past 12 months, the top 2 fastest-rising search terms on Google from the UK are ‘ChatGPT’ and ‘Chat GPT’.</p>
<p><img decoding="async" class="alignnone size-medium wp-image-121" src="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/Screenshot-2023-12-13-at-09.38.55-300x253.png" alt="" width="300" height="253" srcset="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/Screenshot-2023-12-13-at-09.38.55-300x253.png 300w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/Screenshot-2023-12-13-at-09.38.55.png 585w" sizes="(max-width: 300px) 100vw, 300px" /></p>
<p>While there are a lot of uses for ChatGPT and similar AI services, one that has some people worried about its potential impact is its use for creative purposes. The use of AI-generated images and music has raised questions about whether human artists will get shut out of the process if it’s quicker and cheaper to ask a bot to create art, and the recent SAG-AFTRA and WGA strikes that took Hollywood to a grinding halt earlier this year was at least in part because of the actors and writer’s unions wanting to ensure there were protections in updated contracts to limit AI’s impact on filmmaking.</p>
<p>While we’re likely at least a few years away from the best original screenplay Academy Award going to ChatBot_182.432.1REV3, ChatGPT can be used as a tool in a lot of ways for narrative storytelling. It certainly can write a full story for you, but it can go off in pretty wild places with some… <em>interesting </em>narrative choices.</p>
<p>With the simple prompt ‘Hey ChatGPT, write me a story’, I got a 450 word tale of a character named Luna who lived in a ‘Blade Runner’-esque neon city worked as a librarian by day, and by night used her supernatural powers to turn the books on her shelves in to magical realms. She proceeds to find a kingdom in peril, talk to a wise old owl and a mischievous sprite, solve puzzles, go through enchanted forests, and save the day using the power of imagination. That’s a lot to cram in to 450 words. <em>You can read the full story here with the password LunasMidnightOdyssey – <a href="https://blogs.ed.ac.uk/mediahopper/lunas-midnight-odyssey/">full story</a></em></p>
<p>This is one of the problems with just giving ChatGPT free reign to do what it ‘wants’ when being creative, it doesn’t really understand scale or that just throwing every plot point it can generate in to a list doesn’t really make a story.</p>
<figure id="attachment_130" aria-describedby="caption-attachment-130" style="width: 700px" class="wp-caption aligncenter center"><img decoding="async" class="aligncenter size-large wp-image-130" src="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-1024x684.jpg" alt="" width="700" height="468" srcset="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-1024x684.jpg 1024w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-300x200.jpg 300w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-768x513.jpg 768w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-1140x761.jpg 1140w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c.jpg 1536w" sizes="(max-width: 700px) 100vw, 700px" /><figcaption id="caption-attachment-130" class="wp-caption-text">Old College by Playfair, William, University of Edinburgh is available under a CC BY 3.0 Unported licence. https://images.is.ed.ac.uk/luna/servlet/s/m671gu</figcaption></figure>
<p>ChatGPT’s really power for creating narrative, at least in its current state, is in using it to refine a story, or to help work through ideas. Let’s say I’m trying create a new video for Media Hopper Create about the history of Old College, and want to write a voice over. Here’s a quick draft:</p>
<blockquote><p>Old College its part of The University of Edinburgh and was mostly built from the late 18th to early 19th century. Originally named ‘New College’, it is a Category A listed building located on South Bridge. The original design was by Robert Adam, with the modern design being completed by William Henry Playfair. The dome was added to the building in 1887, with a gilded statue of Youth by John Hutchinson.</p>
<ul>
<li>Original version</li>
</ul>
</blockquote>
<p>I wrote this in about 5 minutes with information culled from <a href="https://en.wikipedia.org/wiki/Old_College,_University_of_Edinburgh">Wikipedia</a>, and while perfectly serviceable, it’s possibly a little perfunctory. I asked ChatGPT what it thought of my script, and it decided (unprompted) to re-write it for me to make it more ‘engaging’:</p>
<blockquote><p>Welcome to Old College, a majestic structure nestled within the heart of The University of Edinburgh. Originally named ‘New College,’ this architectural gem traces its roots back to the late 18th century. Designed by the renowned Robert Adam, its timeless elegance was later completed by William Henry Playfair in the 19th century.</p>
<p>Situated on South Bridge, Old College stands as a Category A listed building, a testament to its historical and architectural significance. In 1887, a crowning touch was added to the structure in the form of a magnificent dome. Adorning the pinnacle is a gilded statue of Youth, a creation by the skilled hands of John Hutchinson.</p>
<p>As you stand in awe of Old College, it’s not just a building; it’s a living testament to the evolution of academia and architecture. The melding of the past and present, with each stone whispering stories of the scholars who once walked its halls. Today, Old College continues to be a symbol of academic excellence and a revered landmark in the vibrant tapestry of The University of Edinburgh.</p>
<ul>
<li>Revision from ChatGPT</li>
</ul>
</blockquote>
<p>This new version does feel more like a narrative than just a list of facts, and the language use is definitely more descriptive, it goes a bit overboard with the use of evocative metaphors. To try and rein it in a bit, I added this prompt: “That’s a little bit over the top with descriptive language, can you scale it back a little?”. This is the new version:</p>
<blockquote><p>Old College, part of The University of Edinburgh, has a rich history dating back to the late 18th century. Originally called ‘New College,’ its design, led by Robert Adam and later completed by William Henry Playfair, stands as a testament to architectural craftsmanship.</p>
<p>Situated on South Bridge, this Category A listed building gained its distinctive dome in 1887, crowned with a gilded statue of Youth by John Hutchinson. Today, Old College preserves the charm of its past, serving as a key landmark in the University’s legacy.</p>
<p>Explore the echoes of academia within Old College’s walls, where each brick tells a story of the scholars who once roamed its corridors. This historic structure, with its timeless design, remains an enduring symbol of The University of Edinburgh’s journey through time.</p>
<ul>
<li>Revision 2 by ChatGPT</li>
</ul>
</blockquote>
<p>This time it removed some of the descriptive language of the building itself, but it replaced a metaphor of it being ‘a revered landmark in the vibrant tapestry’ of the university with one about ‘each brick telling a story’. Let’s try refining it one more time – here’s the latest version with my prompt “How about you remove some of the metaphors, but give more descriptive language?”:</p>
<blockquote><p>Old College, integral to The University of Edinburgh, has a fascinating history rooted in the late 18th century. Originally christened ‘New College,’ it boasts an architectural legacy shaped by Robert Adam and later refined by William Henry Playfair.</p>
<p>Nestled on South Bridge, this distinguished Category A listed building acquired its iconic dome in 1887, adorned with a gilded statue of Youth crafted by John Hutchinson. Old College serves as both witness and custodian to the University’s journey through time.</p>
<p>Step into its storied corridors and be transported to an era when scholars traversed its halls. Each brick and beam narrates tales of academic pursuits and intellectual growth. Old College stands today, not just as a historic landmark, but as a living tribute to The University of Edinburgh’s enduring academic tradition.</p></blockquote>
<p>At this point it feels like ChatGPT is stuck just reiterating on a specific style of writing. This is one of the issues I hit when looking to use a chatbot for anything creative – the model it’s using to generate text has a specific style and there isn’t an easy way to break out of that. While ChatGPT is great for helping point you in the right direction, most of the time things will still need to be edited and refined manually to fit the exact purpose you need it for.</p>
<p>How about we experiment with this further, and see how well it handles a change in tone. I added the a new prompt to change the genre, but not the content: “What if this was the Voice Over for a horror film?”</p>
<blockquote><p>“Deep within the shadows of The University of Edinburgh lies Old College, a structure steeped in a history that echoes with whispers of the supernatural. Once named ‘New College,’ its unsettling evolution began in the late 18th century under the design of Robert Adam, later twisted by the hands of William Henry Playfair.</p>
<p>Perched ominously on South Bridge, this foreboding Category A listed building acquired an eerie dome in 1887, crowned by a gilded statue of Youth, a macabre creation by the twisted artist John Hutchinson. Old College, now a haunting relic, conceals not only the secrets of academia but a darker, malevolent force.</p>
<p>As you traverse its desolate corridors, the air thickens with the chilling tales of scholars who met untimely fates within its haunted walls. Every brick, every step resonates with an otherworldly presence. Old College stands not as a symbol of knowledge, but as a portal to the supernatural, where the past lingers, and the spirits of the damned find no rest.”</p>
<ul>
<li>ChatGPT’s voice over for a horror film</li>
</ul>
</blockquote>
<p>Ok, a lot to unpack… not only is this now borderline defamatory calling famed sculptor John Hutchinson a ‘twisted artist’ who created ‘macabre creations’, claims that Old College is where ‘the spirits of the damned find no rest’ and is literally a ‘portal to the supernatural’, but it is <em>still</em> using that metaphor of ‘every brick tells a story’.</p>
<p>While overly flowery language can be a bit of a handful to prune back, this last revision shows where the creative ‘choices’ ChatGPT uses can start to turn truth in to pure fabrication. The original core of the facts from my initial script are still there (the dates, the people involved, the legacy), it uses those to create completely a fictitious narrative.</p>
<p>The creative uses for ChatGPT are vast, but as an AI it has no concept of how it <strong>should</strong> use the information in your prompts, only what it <strong>can</strong> do. Chat bots can be a useful tool, but just remember to keep it on a short leash.</p>
<p> </p>
<p>*’Bothan’ is actually a lesser-known species from Star Wars: <a href="https://en.wikipedia.org/wiki/List_of_Star_Wars_species_(A–E)#Bothan">https://en.wikipedia.org/wiki/List_of_Star_Wars_species_(A–E)#Bothan</a></p>
<span class="uoe-published-time uoe-seo-hidden-area">
<time datetime="2023-12-13" itemprop="dateModified">Dec 13, 2023</time>
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<title>What is 360º Video? – The Early Days…</title>
<link>https://blogs.ed.ac.uk/mediahopper/2019/02/18/what-is-360o-video-the-early-days/</link>
<comments>https://blogs.ed.ac.uk/mediahopper/2019/02/18/what-is-360o-video-the-early-days/#respond</comments>
<dc:creator><![CDATA[Liam Duffy]]></dc:creator>
<pubDate>Mon, 18 Feb 2019 16:24:53 +0000</pubDate>
<category><![CDATA[DIY Film School]]></category>
<category><![CDATA[360º]]></category>
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<description><![CDATA[This is part of a series of posts exploring 360º videos, going from its roots in expositions and theme parks,...]]></description>
<content:encoded><![CDATA[<p><i>This is part of a series of posts exploring 360º videos, going from its roots in expositions and theme parks, to how it can be recorded using your mobile phone and used in education.</i></p>
<h2>Cinéorama</h2>
<p>The Exposition Universelle, or better known as the 1900 Paris Exposition in English, was part of France’s drive to enter the 20th century with a reignited sense of cultural and national pride after devastation of the Great War. For nearly a decade before the exhibition grounds were due to open, countries around the world were invited to bring their greatest achievements and display their cultures on an international stage, part of the event’s bigger themes of unifying people.</p>
<p><figure style="width: 4195px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/c/c2/La_porte_monumentale%2C_Exposition_Universelle_1900.jpg" alt="" width="4195" height="2678" /><figcaption class="wp-caption-text">Brown University Library [Public domain]</figcaption></figure>Some of the highlights of the Exposition included a giant refracting telescope (60 meters long with a diameter of 1.5 meters), a display of photographs showing African American’s contributions to American society organised by sociologists and activists Booker Washington and <a href="https://en.wikipedia.org/wiki/W.E.B._Du_Bois">W.E.B. Du Bois</a> , and in a fit of what I can only imagine was either reckless abandonment or an over-eagerness to please the visiting crowds, a Russian sparkling wine won the “Grand Prix de Champagne” beating several French vintners. The first Olympic Games outside of Greece took place during the Exposition, with the winners receiving 100 francs, a tie pin, and a commemorative pencil.</p>
<p>One of the biggest draws of the Exposition was the introduction of two of the great innovations in the world of cinema: the first wide-scale demonstration of recorded sound synced with moving image, and 360º panoramic projections. Obviously the latter of the two had the greater impact in the history of entertainment. I mean, come on, how many people actually watch films with audio?</p>
<p>Oh, what’s that? Most people do? Pretty much every piece of commercial film created in the last 80 years has had synchronised sound? Nobody uses 360º panoramic video projections beyond some very limited applications? Hmm.</p>
<p>The French Cinéorama was designed and constructed specifically for the Exposition by <a href="Raoul Grimoin-Sanson">Raoul Grimoin-Sanson</a>, with the intention being to replicate a ride on a hot air balloon over Paris using ten synchronised projectors housed under the ‘basket’ of the stationary balloon model.</p>
<p><figure style="width: 1199px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/a/a6/Cineorama.jpg" alt="" width="1199" height="850" /><figcaption class="wp-caption-text">Louis Poyet [Public domain]</figcaption></figure>Built on the technology that English inventor <a href="https://en.wikipedia.org/wiki/Robert_W._Paul">Robert Paul</a> had been working on in the late 1890’s to project moving image on a screen (which was in turn based on designs stolen from Thomas Edison’s single-viewer Kinetoscope machine), the Cinéorama would project moving images onto 10 screens, each 9×9 meters, arranged in a circle around the viewer. The film was shot using 10 cameras pointing outwards from a central point which housed the cranking mechanism that wound all of the cameras at the same time – early cinema cameras were usually hand-cranked, so this made sure that the image was captured at the same speed on each camera. This rig was then attached to a real hot air balloon as it flew 400 meters about the Tuileries Gardens, filming the ascent.</p>
<p><figure style="width: 600px" class="wp-caption alignleft"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/e/ec/Cineorama_camera.jpg" alt="" width="600" height="1019" /><figcaption class="wp-caption-text">Louis Poyet [Public domain]</figcaption></figure>People would board a giant hot air balloon model in the middle of the screens, the basket of which was big enough to hold 200 people, complete with rigging and the bottom half of a balloon suspended from the ceiling. Once ‘boarded’ the spectators would look out at the screens as the projectors showed the balloon take off. Once the experience had finished, they used some cinema magic to show the balloon landing again (they played the film backwards).</p>
<p>The Cinéorama lasted a glorious whole 3 days before the police shut it down due to safety concerns – one of the workmen had fainted from the immense heat of the arc lamps used in the projectors, and as these were housed directly beneath the viewing platform, it was considered an extreme fire hazard to the spectators. After the show was shut down in the middle of day 4, it has never been shown again.</p>
<p>Things didn’t faire much better for the Exposition Universelle – due the unexpectedly high running costs of the Exposition as a whole, it ended costing the organisers about 600 francs (around £2,000 in 2018) <i>more</i> per person than the cost of admission. This was the end of this streak of Parisian international fairs.</p>
<h2>Circle-Vision 360º</h2>
<p>The rebirth of commercial 360º panoramic films came with the opening of 1955’s ‘CIRCARAMA’ cinema in Disneyland, California, showing the short film A Tour of the West, soon followed by America The Beautiful.</p>
<iframe loading="lazy" src="about:blank" data-bs-src="https://www.youtube.com/embed/rmv_P_wcZG4?start=801" width="660" height="544" frameborder="0" allowfullscreen></iframe></p>
<p>The system used in Disneyland, named ‘Circle-Vision 360°’, improved on Grimoin-Sanson’s Cinéorama system in a number of ways, with the biggest difference being that instead of having the film projectors mounted under the audience’s feet (and causing a lot of fire-risks at the same time) an odd number of screens and projectors are used – this means that each projector is placed between the screens on the opposite wall of the purpose-built circular auditorium:</p>
<figure style="width: 2320px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://patentimages.storage.googleapis.com/3e/df/f2/ef5b770a26468d/US2942516-drawings-page-2.png" alt="" width="2320" height="3408" /><figcaption class="wp-caption-text">Walter E Disney, Iwerks Ub (1956). US Patent No. US2942516A. Retrieved from https://patents.google.com/patent/US2942516</figcaption></figure>
<p>This clever bit of mathematics allows the bulky projector systems to be hidden behind the ring of screens, providing more a more immersive experience to the audience.</p>
<p>The camera system used to record the footage, however, is remarkably similar Cinéorama’s – nine cameras are arranged around a central point facing outwards, with an internal mechanism keeping the cameras in sync.</p>
<p><figure style="width: 2364px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/5/59/Circle-Vision_360_camera_%2829638534777%29_%28cropped%29.jpg" alt="" width="2364" height="1965" /><figcaption class="wp-caption-text">elisfkc from Orlando, FL, United States [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons</figcaption></figure>The camera rig can be attached to the roof of a car or the underside of a helicopter. Given there was an intentional gap between each screen for the projectors to fit, later films used these to split-up the action between sections of the room. For example, they could show a full 360º film to start with, then fade the screens on one half of the room to show standard film footage on each screen, while maintaining the panorama on the other. This allowed for greater creative freedom, and removed the reliance of using the expensive Circle-Vision 360º cameras to capture all the footage.</p>
<p>Over the years, 5 different Disney theme parks have used Circle-Vision 360º for their attractions, and while the original has now closed at Disneyland in California, and it’s international variants at Tokyo Disneyland and Disneyland Paris closing in the early 21st century, there are 2 theatres still operating at Epcot – ‘Reflections of China’ and ‘Oh Canada!’ At each of their respective country’s pavilions in the World Showcase.</p>
<iframe loading="lazy" src="about:blank" data-bs-src="https://www.youtube.com/embed/SdUKRTeyKfU" width="660" height="544" frameborder="0" allowfullscreen></iframe> <em>Interestingly, you can actually watch this version in 360º using Google Cardboard or by clicking and dragging your mouse around the frame</em></pre>
<p> </p>
<p>Both of these act as quasi-tourism videos showing off the landscapes and cultural landmarks of each country …and the Canadian one also serves as a showcase for Martin Short’s comedic talents, so there’s that.</p>
<p>This idea of pure spectacle makes sense as a use for this pretty unique form of film-making, but it does highlight two of the biggest drawbacks of 360º cinema in an auditorium setting:</p>
<p>The first being the cost involved would make it prohibitive to film more than a few minutes worth of footage, both in terms of capturing using 9 high-quality cameras and running the multiple necessary projectors all day.</p>
<p>The second, and possibly most difficult to overcome: trying to craft a story where the viewer needs to constantly be turning their heads. Both of the 360º cinema formats mentioned here rely on the viewer being free to stand and turn all the way around to find and follow points of interest. Indicating where a person should be looking at all times is tricky when it might be behind them. Constantly having your characters announce themselves and give time for people to move around and look in their direction could kill the tension in your drama.</p>
<p><em>Thank you for coming along on our first journey in to 360º video. In our next article we’ll be diving in to the world of modern film and content creation for 360º and VR, and how this can be used in education.</em></p>
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<time datetime="2019-02-18" itemprop="dateModified">Feb 18, 2019</time>
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<link>https://blogs.ed.ac.uk/mediahopper/2023/12/13/using-chat-gpt-to-refine-narratives/</link>
<comments>https://blogs.ed.ac.uk/mediahopper/2023/12/13/using-chat-gpt-to-refine-narratives/#respond</comments>
<dc:creator><![CDATA[Liam Duffy]]></dc:creator>
<pubDate>Wed, 13 Dec 2023 12:11:21 +0000</pubDate>
<category><![CDATA[AI]]></category>
<guid isPermaLink="false">https://blogs.ed.ac.uk/mediahopper/?p=120</guid>
<description><![CDATA[2023 has been the year of chatting with robots. Not in a fun-and-hijinks ‘Short Circuit’ way, but in a less...]]></description>
<content:encoded><![CDATA[<p>2023 has been the year of chatting with robots. Not in a fun-and-hijinks ‘Short Circuit’ way, but in a less hilarity-inducing ‘lets spend 20 minutes phrasing this perfectly so I actually get something useful’ way. A lot of companies have been working on growing ‘large language models’ for use in AI for a while, but the one that really captured people’s attention in 2023 has been OpenAI’s ChatGPT.</p>
<p>There are many other flavours of AI chatty-Cathy’s out there with colourful names such as Bard, Claude, Grok, LLaMA, Bothan, and Ernie Bot (one of those I made up*), but ChatGPT has become the go-to chatbot for a lot of people, with over 100 million users registered on the service. In the past 12 months, the top 2 fastest-rising search terms on Google from the UK are ‘ChatGPT’ and ‘Chat GPT’.</p>
<p><img decoding="async" class="alignnone size-medium wp-image-121" src="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/Screenshot-2023-12-13-at-09.38.55-300x253.png" alt="" width="300" height="253" srcset="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/Screenshot-2023-12-13-at-09.38.55-300x253.png 300w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/Screenshot-2023-12-13-at-09.38.55.png 585w" sizes="(max-width: 300px) 100vw, 300px" /></p>
<p>While there are a lot of uses for ChatGPT and similar AI services, one that has some people worried about its potential impact is its use for creative purposes. The use of AI-generated images and music has raised questions about whether human artists will get shut out of the process if it’s quicker and cheaper to ask a bot to create art, and the recent SAG-AFTRA and WGA strikes that took Hollywood to a grinding halt earlier this year was at least in part because of the actors and writer’s unions wanting to ensure there were protections in updated contracts to limit AI’s impact on filmmaking.</p>
<p>While we’re likely at least a few years away from the best original screenplay Academy Award going to ChatBot_182.432.1REV3, ChatGPT can be used as a tool in a lot of ways for narrative storytelling. It certainly can write a full story for you, but it can go off in pretty wild places with some… <em>interesting </em>narrative choices.</p>
<p>With the simple prompt ‘Hey ChatGPT, write me a story’, I got a 450 word tale of a character named Luna who lived in a ‘Blade Runner’-esque neon city worked as a librarian by day, and by night used her supernatural powers to turn the books on her shelves in to magical realms. She proceeds to find a kingdom in peril, talk to a wise old owl and a mischievous sprite, solve puzzles, go through enchanted forests, and save the day using the power of imagination. That’s a lot to cram in to 450 words. <em>You can read the full story here with the password LunasMidnightOdyssey – <a href="https://blogs.ed.ac.uk/mediahopper/lunas-midnight-odyssey/">full story</a></em></p>
<p>This is one of the problems with just giving ChatGPT free reign to do what it ‘wants’ when being creative, it doesn’t really understand scale or that just throwing every plot point it can generate in to a list doesn’t really make a story.</p>
<figure id="attachment_130" aria-describedby="caption-attachment-130" style="width: 700px" class="wp-caption aligncenter center"><img decoding="async" class="aligncenter size-large wp-image-130" src="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-1024x684.jpg" alt="" width="700" height="468" srcset="https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-1024x684.jpg 1024w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-300x200.jpg 300w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-768x513.jpg 768w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c-1140x761.jpg 1140w, https://blogs.ed.ac.uk/mediahopper/wp-content/uploads/sites/201/2023/12/0078862c.jpg 1536w" sizes="(max-width: 700px) 100vw, 700px" /><figcaption id="caption-attachment-130" class="wp-caption-text">Old College by Playfair, William, University of Edinburgh is available under a CC BY 3.0 Unported licence. https://images.is.ed.ac.uk/luna/servlet/s/m671gu</figcaption></figure>
<p>ChatGPT’s really power for creating narrative, at least in its current state, is in using it to refine a story, or to help work through ideas. Let’s say I’m trying create a new video for Media Hopper Create about the history of Old College, and want to write a voice over. Here’s a quick draft:</p>
<blockquote><p>Old College its part of The University of Edinburgh and was mostly built from the late 18th to early 19th century. Originally named ‘New College’, it is a Category A listed building located on South Bridge. The original design was by Robert Adam, with the modern design being completed by William Henry Playfair. The dome was added to the building in 1887, with a gilded statue of Youth by John Hutchinson.</p>
<ul>
<li>Original version</li>
</ul>
</blockquote>
<p>I wrote this in about 5 minutes with information culled from <a href="https://en.wikipedia.org/wiki/Old_College,_University_of_Edinburgh">Wikipedia</a>, and while perfectly serviceable, it’s possibly a little perfunctory. I asked ChatGPT what it thought of my script, and it decided (unprompted) to re-write it for me to make it more ‘engaging’:</p>
<blockquote><p>Welcome to Old College, a majestic structure nestled within the heart of The University of Edinburgh. Originally named ‘New College,’ this architectural gem traces its roots back to the late 18th century. Designed by the renowned Robert Adam, its timeless elegance was later completed by William Henry Playfair in the 19th century.</p>
<p>Situated on South Bridge, Old College stands as a Category A listed building, a testament to its historical and architectural significance. In 1887, a crowning touch was added to the structure in the form of a magnificent dome. Adorning the pinnacle is a gilded statue of Youth, a creation by the skilled hands of John Hutchinson.</p>
<p>As you stand in awe of Old College, it’s not just a building; it’s a living testament to the evolution of academia and architecture. The melding of the past and present, with each stone whispering stories of the scholars who once walked its halls. Today, Old College continues to be a symbol of academic excellence and a revered landmark in the vibrant tapestry of The University of Edinburgh.</p>
<ul>
<li>Revision from ChatGPT</li>
</ul>
</blockquote>
<p>This new version does feel more like a narrative than just a list of facts, and the language use is definitely more descriptive, it goes a bit overboard with the use of evocative metaphors. To try and rein it in a bit, I added this prompt: “That’s a little bit over the top with descriptive language, can you scale it back a little?”. This is the new version:</p>
<blockquote><p>Old College, part of The University of Edinburgh, has a rich history dating back to the late 18th century. Originally called ‘New College,’ its design, led by Robert Adam and later completed by William Henry Playfair, stands as a testament to architectural craftsmanship.</p>
<p>Situated on South Bridge, this Category A listed building gained its distinctive dome in 1887, crowned with a gilded statue of Youth by John Hutchinson. Today, Old College preserves the charm of its past, serving as a key landmark in the University’s legacy.</p>
<p>Explore the echoes of academia within Old College’s walls, where each brick tells a story of the scholars who once roamed its corridors. This historic structure, with its timeless design, remains an enduring symbol of The University of Edinburgh’s journey through time.</p>
<ul>
<li>Revision 2 by ChatGPT</li>
</ul>
</blockquote>
<p>This time it removed some of the descriptive language of the building itself, but it replaced a metaphor of it being ‘a revered landmark in the vibrant tapestry’ of the university with one about ‘each brick telling a story’. Let’s try refining it one more time – here’s the latest version with my prompt “How about you remove some of the metaphors, but give more descriptive language?”:</p>
<blockquote><p>Old College, integral to The University of Edinburgh, has a fascinating history rooted in the late 18th century. Originally christened ‘New College,’ it boasts an architectural legacy shaped by Robert Adam and later refined by William Henry Playfair.</p>
<p>Nestled on South Bridge, this distinguished Category A listed building acquired its iconic dome in 1887, adorned with a gilded statue of Youth crafted by John Hutchinson. Old College serves as both witness and custodian to the University’s journey through time.</p>
<p>Step into its storied corridors and be transported to an era when scholars traversed its halls. Each brick and beam narrates tales of academic pursuits and intellectual growth. Old College stands today, not just as a historic landmark, but as a living tribute to The University of Edinburgh’s enduring academic tradition.</p></blockquote>
<p>At this point it feels like ChatGPT is stuck just reiterating on a specific style of writing. This is one of the issues I hit when looking to use a chatbot for anything creative – the model it’s using to generate text has a specific style and there isn’t an easy way to break out of that. While ChatGPT is great for helping point you in the right direction, most of the time things will still need to be edited and refined manually to fit the exact purpose you need it for.</p>
<p>How about we experiment with this further, and see how well it handles a change in tone. I added the a new prompt to change the genre, but not the content: “What if this was the Voice Over for a horror film?”</p>
<blockquote><p>“Deep within the shadows of The University of Edinburgh lies Old College, a structure steeped in a history that echoes with whispers of the supernatural. Once named ‘New College,’ its unsettling evolution began in the late 18th century under the design of Robert Adam, later twisted by the hands of William Henry Playfair.</p>
<p>Perched ominously on South Bridge, this foreboding Category A listed building acquired an eerie dome in 1887, crowned by a gilded statue of Youth, a macabre creation by the twisted artist John Hutchinson. Old College, now a haunting relic, conceals not only the secrets of academia but a darker, malevolent force.</p>
<p>As you traverse its desolate corridors, the air thickens with the chilling tales of scholars who met untimely fates within its haunted walls. Every brick, every step resonates with an otherworldly presence. Old College stands not as a symbol of knowledge, but as a portal to the supernatural, where the past lingers, and the spirits of the damned find no rest.”</p>
<ul>
<li>ChatGPT’s voice over for a horror film</li>
</ul>
</blockquote>
<p>Ok, a lot to unpack… not only is this now borderline defamatory calling famed sculptor John Hutchinson a ‘twisted artist’ who created ‘macabre creations’, claims that Old College is where ‘the spirits of the damned find no rest’ and is literally a ‘portal to the supernatural’, but it is <em>still</em> using that metaphor of ‘every brick tells a story’.</p>
<p>While overly flowery language can be a bit of a handful to prune back, this last revision shows where the creative ‘choices’ ChatGPT uses can start to turn truth in to pure fabrication. The original core of the facts from my initial script are still there (the dates, the people involved, the legacy), it uses those to create completely a fictitious narrative.</p>
<p>The creative uses for ChatGPT are vast, but as an AI it has no concept of how it <strong>should</strong> use the information in your prompts, only what it <strong>can</strong> do. Chat bots can be a useful tool, but just remember to keep it on a short leash.</p>
<p> </p>
<p>*’Bothan’ is actually a lesser-known species from Star Wars: <a href="https://en.wikipedia.org/wiki/List_of_Star_Wars_species_(A–E)#Bothan">https://en.wikipedia.org/wiki/List_of_Star_Wars_species_(A–E)#Bothan</a></p>
<span class="uoe-published-time uoe-seo-hidden-area">
<time datetime="2023-12-13" itemprop="dateModified">Dec 13, 2023</time>
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<title>What is 360º Video? – The Early Days…</title>
<link>https://blogs.ed.ac.uk/mediahopper/2019/02/18/what-is-360o-video-the-early-days/</link>
<comments>https://blogs.ed.ac.uk/mediahopper/2019/02/18/what-is-360o-video-the-early-days/#respond</comments>
<dc:creator><![CDATA[Liam Duffy]]></dc:creator>
<pubDate>Mon, 18 Feb 2019 16:24:53 +0000</pubDate>
<category><![CDATA[DIY Film School]]></category>
<category><![CDATA[360º]]></category>
<guid isPermaLink="false">https://blogs.ed.ac.uk/mediahopper/?p=56</guid>
<description><![CDATA[This is part of a series of posts exploring 360º videos, going from its roots in expositions and theme parks,...]]></description>
<content:encoded><![CDATA[<p><i>This is part of a series of posts exploring 360º videos, going from its roots in expositions and theme parks, to how it can be recorded using your mobile phone and used in education.</i></p>
<h2>Cinéorama</h2>
<p>The Exposition Universelle, or better known as the 1900 Paris Exposition in English, was part of France’s drive to enter the 20th century with a reignited sense of cultural and national pride after devastation of the Great War. For nearly a decade before the exhibition grounds were due to open, countries around the world were invited to bring their greatest achievements and display their cultures on an international stage, part of the event’s bigger themes of unifying people.</p>
<p><figure style="width: 4195px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/c/c2/La_porte_monumentale%2C_Exposition_Universelle_1900.jpg" alt="" width="4195" height="2678" /><figcaption class="wp-caption-text">Brown University Library [Public domain]</figcaption></figure>Some of the highlights of the Exposition included a giant refracting telescope (60 meters long with a diameter of 1.5 meters), a display of photographs showing African American’s contributions to American society organised by sociologists and activists Booker Washington and <a href="https://en.wikipedia.org/wiki/W.E.B._Du_Bois">W.E.B. Du Bois</a> , and in a fit of what I can only imagine was either reckless abandonment or an over-eagerness to please the visiting crowds, a Russian sparkling wine won the “Grand Prix de Champagne” beating several French vintners. The first Olympic Games outside of Greece took place during the Exposition, with the winners receiving 100 francs, a tie pin, and a commemorative pencil.</p>
<p>One of the biggest draws of the Exposition was the introduction of two of the great innovations in the world of cinema: the first wide-scale demonstration of recorded sound synced with moving image, and 360º panoramic projections. Obviously the latter of the two had the greater impact in the history of entertainment. I mean, come on, how many people actually watch films with audio?</p>
<p>Oh, what’s that? Most people do? Pretty much every piece of commercial film created in the last 80 years has had synchronised sound? Nobody uses 360º panoramic video projections beyond some very limited applications? Hmm.</p>
<p>The French Cinéorama was designed and constructed specifically for the Exposition by <a href="Raoul Grimoin-Sanson">Raoul Grimoin-Sanson</a>, with the intention being to replicate a ride on a hot air balloon over Paris using ten synchronised projectors housed under the ‘basket’ of the stationary balloon model.</p>
<p><figure style="width: 1199px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/a/a6/Cineorama.jpg" alt="" width="1199" height="850" /><figcaption class="wp-caption-text">Louis Poyet [Public domain]</figcaption></figure>Built on the technology that English inventor <a href="https://en.wikipedia.org/wiki/Robert_W._Paul">Robert Paul</a> had been working on in the late 1890’s to project moving image on a screen (which was in turn based on designs stolen from Thomas Edison’s single-viewer Kinetoscope machine), the Cinéorama would project moving images onto 10 screens, each 9×9 meters, arranged in a circle around the viewer. The film was shot using 10 cameras pointing outwards from a central point which housed the cranking mechanism that wound all of the cameras at the same time – early cinema cameras were usually hand-cranked, so this made sure that the image was captured at the same speed on each camera. This rig was then attached to a real hot air balloon as it flew 400 meters about the Tuileries Gardens, filming the ascent.</p>
<p><figure style="width: 600px" class="wp-caption alignleft"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/e/ec/Cineorama_camera.jpg" alt="" width="600" height="1019" /><figcaption class="wp-caption-text">Louis Poyet [Public domain]</figcaption></figure>People would board a giant hot air balloon model in the middle of the screens, the basket of which was big enough to hold 200 people, complete with rigging and the bottom half of a balloon suspended from the ceiling. Once ‘boarded’ the spectators would look out at the screens as the projectors showed the balloon take off. Once the experience had finished, they used some cinema magic to show the balloon landing again (they played the film backwards).</p>
<p>The Cinéorama lasted a glorious whole 3 days before the police shut it down due to safety concerns – one of the workmen had fainted from the immense heat of the arc lamps used in the projectors, and as these were housed directly beneath the viewing platform, it was considered an extreme fire hazard to the spectators. After the show was shut down in the middle of day 4, it has never been shown again.</p>
<p>Things didn’t faire much better for the Exposition Universelle – due the unexpectedly high running costs of the Exposition as a whole, it ended costing the organisers about 600 francs (around £2,000 in 2018) <i>more</i> per person than the cost of admission. This was the end of this streak of Parisian international fairs.</p>
<h2>Circle-Vision 360º</h2>
<p>The rebirth of commercial 360º panoramic films came with the opening of 1955’s ‘CIRCARAMA’ cinema in Disneyland, California, showing the short film A Tour of the West, soon followed by America The Beautiful.</p>
<iframe loading="lazy" src="about:blank" data-bs-src="https://www.youtube.com/embed/rmv_P_wcZG4?start=801" width="660" height="544" frameborder="0" allowfullscreen></iframe></p>
<p>The system used in Disneyland, named ‘Circle-Vision 360°’, improved on Grimoin-Sanson’s Cinéorama system in a number of ways, with the biggest difference being that instead of having the film projectors mounted under the audience’s feet (and causing a lot of fire-risks at the same time) an odd number of screens and projectors are used – this means that each projector is placed between the screens on the opposite wall of the purpose-built circular auditorium:</p>
<figure style="width: 2320px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://patentimages.storage.googleapis.com/3e/df/f2/ef5b770a26468d/US2942516-drawings-page-2.png" alt="" width="2320" height="3408" /><figcaption class="wp-caption-text">Walter E Disney, Iwerks Ub (1956). US Patent No. US2942516A. Retrieved from https://patents.google.com/patent/US2942516</figcaption></figure>
<p>This clever bit of mathematics allows the bulky projector systems to be hidden behind the ring of screens, providing more a more immersive experience to the audience.</p>
<p>The camera system used to record the footage, however, is remarkably similar Cinéorama’s – nine cameras are arranged around a central point facing outwards, with an internal mechanism keeping the cameras in sync.</p>
<p><figure style="width: 2364px" class="wp-caption alignnone"><img loading="lazy" decoding="async" src="https://upload.wikimedia.org/wikipedia/commons/5/59/Circle-Vision_360_camera_%2829638534777%29_%28cropped%29.jpg" alt="" width="2364" height="1965" /><figcaption class="wp-caption-text">elisfkc from Orlando, FL, United States [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons</figcaption></figure>The camera rig can be attached to the roof of a car or the underside of a helicopter. Given there was an intentional gap between each screen for the projectors to fit, later films used these to split-up the action between sections of the room. For example, they could show a full 360º film to start with, then fade the screens on one half of the room to show standard film footage on each screen, while maintaining the panorama on the other. This allowed for greater creative freedom, and removed the reliance of using the expensive Circle-Vision 360º cameras to capture all the footage.</p>
<p>Over the years, 5 different Disney theme parks have used Circle-Vision 360º for their attractions, and while the original has now closed at Disneyland in California, and it’s international variants at Tokyo Disneyland and Disneyland Paris closing in the early 21st century, there are 2 theatres still operating at Epcot – ‘Reflections of China’ and ‘Oh Canada!’ At each of their respective country’s pavilions in the World Showcase.</p>
<iframe loading="lazy" src="about:blank" data-bs-src="https://www.youtube.com/embed/SdUKRTeyKfU" width="660" height="544" frameborder="0" allowfullscreen></iframe> <em>Interestingly, you can actually watch this version in 360º using Google Cardboard or by clicking and dragging your mouse around the frame</em></pre>
<p> </p>
<p>Both of these act as quasi-tourism videos showing off the landscapes and cultural landmarks of each country …and the Canadian one also serves as a showcase for Martin Short’s comedic talents, so there’s that.</p>
<p>This idea of pure spectacle makes sense as a use for this pretty unique form of film-making, but it does highlight two of the biggest drawbacks of 360º cinema in an auditorium setting:</p>
<p>The first being the cost involved would make it prohibitive to film more than a few minutes worth of footage, both in terms of capturing using 9 high-quality cameras and running the multiple necessary projectors all day.</p>
<p>The second, and possibly most difficult to overcome: trying to craft a story where the viewer needs to constantly be turning their heads. Both of the 360º cinema formats mentioned here rely on the viewer being free to stand and turn all the way around to find and follow points of interest. Indicating where a person should be looking at all times is tricky when it might be behind them. Constantly having your characters announce themselves and give time for people to move around and look in their direction could kill the tension in your drama.</p>
<p><em>Thank you for coming along on our first journey in to 360º video. In our next article we’ll be diving in to the world of modern film and content creation for 360º and VR, and how this can be used in education.</em></p>
<span class="uoe-published-time uoe-seo-hidden-area">
<time datetime="2019-02-18" itemprop="dateModified">Feb 18, 2019</time>
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Diag| Considering item [https://blogs.ed.ac.uk/mediahopper/?p=120] "Using Chat GPT to refine narratives"
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Diag| Considering item [https://blogs.ed.ac.uk/mediahopper/?p=56] "What is 360º Video? – The Early Days…"
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Diag| Considering item [https://blogs.ed.ac.uk/edwardenejoh/2024/09/10/welcome/] "Volunteer Day: Making a Difference Beyond the Desk"
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PebblePad v5 – Coming to a University near you soon…. – Digital Learning Applications and Media
Any views expressed within media held on this service are those of the contributors, should not be taken as approved or endorsed by the University, and do not necessarily reflect the views of the University in respect of any particular issue.
PebblePad v5 – Coming to a University near you soon….
PebblePad v5 – Coming to a University near you soon….
In June this year we are planning to update our ePortfolio system PebblePad to the new version PebblePad v5. The new version has an updated, restyled interface and a new dashboard landing page. There have been lots of positive comments flying around the PebblePad community about this new version and we are looking forward to letting you guys loose on it in the summer!
Throughout the migration project we will be regularly blogging about the upgrade including a sneak peak at the new look and feel plus mentioning any new features coming.
At the end of last year Mari Cruz (Educational Design & Engagement team) and myself met with our PebblePad user group to discuss the upgrade plans. We showed them our plans and had a discussion around the best date, the month of June was settled upon quite quickly and chat turned to what it looks and feels like. A brief demo later and we had everyone in the room keen to sign up to the familiarisation phase. This phase allows users early access to v5 to see the changes for themselves, ask questions and look at how their course or school resources look in the new version. It will also help with prepping documentation and any help resources they have related to Pebble+.
Note that I said Pebble+ v5 there, not just a slip up on the keyboard. The majority of the interface changes will happen to the Pebble+ side of the application not ATLAS. ATLAS is the assessment side of PebblePad and while interface changes will happen to this part of the system there will not be a full ATLAS interface update.
Currently in January we are letting our merry group of users in the familiarisation phase get used to the system and ask any questions of us ahead of a more concentrated drive to engage all our users prior to the upgrade. Exciting times for the ePortfolio service team!
If you have any queries about the upgrade then drop us an email through the IS Helpline, we are always happy to chat everything PebblePad.
Fancy learning more about PebblePad? Visit our web pages:
This is fascinating, particularly the idea of "coding without writing a single line." It really highlights the potential of prompt…
N.B. Closing date now extended to 23:59 on Wednesday, 4th of March.
Thanks Stewart for your encouragement!
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Hi Otis