Personally, I always imagined heaven as a library.
Jorge Luis Borges.
Personally, I always imagined heaven as a library.
Jorge Luis Borges.
ECA library has recently acquired a fantastic new book about artists’ sketchbooks:
An illustrated life : drawing inspiration from the private sketchbooks of artists, illustrators and designers, by Danny Gregory.
As Danny Gregory describes on his blog “this book led me to fulfill my dream of gathering the work of all the artists I admire most, people like Robert Crumb and Chris Ware and James Jean and many others, and then sitting down for a chat about my favorite subject, recording one’s life with drawings in a book. It was an amazing experience and I like to think the book reflects it.”
The library has several other similar books on the theme of sketchbooks as journals:
Drawing from Life: The Journal as Art, by Jennifer New.
Sketchbooks: The Hidden Art of Designers, Illustrators & Creatives, by Richard Brereton.
Inspiring Writing in Art and Design: Taking a Line for a Write, by Pat Francis.
We hope these will inspire you!
Reality is merely an illusion, albeit a very persistent one.
(Albert Einstein)
Access to the recordings is available free online, and requires Quicktime/WMP.
It is provided in the essence of things that from any fruition of success, no matter what, shall come forth something to make a greater struggle necessary.
(Walt Whitman, Song of the Open Road in Leaves of Grass)
Sense, the tortoise, usually overtakes nonsense, the hare, even in this not quite perfect world.
(Clement Greenberg in Modernism with a Vengeance, p140)
The Ecole des Beaux-Arts seduced the weak with school triumphs and popular successes, and destroyed them in the end, while it identified, repelled, and strengthened the vigorous by forcing them to struggle with reality and to find their own way.
(Lorenz Eitner, in An Outline of 19th Century European Painting)
Recently added to the Library are two amazing books about typography, published by Taschen. These beautiful volumes are a collection of type specimens, initial letters, decorative lettering, engravings, borders and ornaments. Volume 1 covers 1628 – 1900 and Volume 2 explores 1901 – 1938.
When you borrow the book you also gain online access to over 2000 high resolution, downloadable images , which are great for building up your own archive of reference material. An ID and password are required and these will be given to you when you borrow the book.
The making of superior art is arduous, usually.
(Clement Greenberg, Modernism and Postmodernism, Late Writings, p32)