A Discussion Starting from The Children Are Now Exhibition Introduction This week, I visited the exhibition “The Children Are Now” at the Talbot Rice Gallery. The exhibition focuses on the theme of children’s rights, addressing the impact of the education system, institutional environments, and power structures on children’s growth. However, one of the video worksContinue reading week3| Ethical Dimensions in Curation

How does contemporary curatorial practice reinterpret historical works?   Introduction In the continuous exploration of the “bridge between tradition and contemporaneity”, I gradually realised that the issue is not only about how curatorial methods can update traditional art but also about whether historical works themselves can still be activated by contemporary questions. This prompted meContinue reading week2| How do historical works become contemporary art? From conceptual contemporaneity to curatorial methodology

How does contemporary curation “translate” traditional art?   Introduction In the contemporary art context, curation is no longer a neutral act of display. Carolee Thea, in “On Curating”, defines the curator as a “mediator” and “translator”, a perspective that has profoundly influenced my thinking on curation. Curation establishes the conditions for viewing and understanding forContinue reading week1| The Practice of “Translation” in Contemporary Curation: How Traditional Artworks Are Transformed into Immersive Perceptual Experiences