Author: s2074772Our yellow group mapped ‘Organization Ideas’ depending on our organisational reposts yesterday to organise our group curatorial program. First, we reviewed important individual points of the organisation report; then, we spent some time writing many questions on the issues of the organisation, which we then picked according to levels on three circles (primary, secondary andContinue reading Week 6 / Reflection on Programming Meeting
ShuWen gave some keys about Creative Time has commissioned and presented ambitious public art projects with thousands of artists throughout New York City, across the country, around the world—and now even in outer space. We have the concepts of “transnational” and “trans-regional” in common. In particular, unique landmarks have been commissioned for the creation ofContinue reading Week 6 / Organizational Report in my peer’s Curating
Hyundai Tate Research Centre Critical Report By exploring global connections between art and artists, the Tate Modern accumulation of curatorial, exhibition and art programs over the past two decades has created a more open and inclusive public platform. Since 2014, Tate Modern has had an 11-year partnership agreement with Hyundai Motor Corporation, including the creation of theContinue reading Week 5 / Hyundai Tate Research Centre of Organizational Report
Talbot Rice Gallery is the public art gallery of the University of Edinburgh I think there’s a big difference between a one-person show and a group show. The big difference is that if you work with an artist and do an exhibition, your real job is to support their vision, support their practice andContinue reading Week 4/ Reflecting The Talbot Rice Gallery’ s Curatorial programs
Ten years after the publication of An Archive of Feelings, I found myself amazed by the proliferation of LGBT archives as part of the ‘Archive Turn’. It plays an important role in promoting awareness of the LGBT situation, civil rights and cultural visibility. As exciting as these developments may be, stay with queer activist critiquesContinue reading Week 4 / Archive Turn and Queer archival
From my reading over the last three weeks, I have found three examples of ‘organizational’ approaches to curating that interest me. First, the Museum of Contemporary Art Chicago, it is different from the general art museum where the values of the past are enshrined. Instead it is a place where new ideas are shown andContinue reading Week 3 Organizational approaches
My team and I attended curatorial courses about major and minor exhibitions. I was a member of the green group. For other reasons, I joined the red group and had a discussion. The other members gave examples of different major/minor curatorial scenarios. The scale of the exhibition cannot be evaluated as a minor and majorContinue reading Week 2 / Seminar: Scenes: Minor/Major Curating with Breakout Group
Nowadays, Shanghai has undoubtedly become the centre of the contemporary art trade in China. During the week of November 2022, the Shanghai Contemporary Art Fair, the Shanghai Biennale, the West Coast Art & Design Fair and many other leading international exhibitions open their doors. They have attracted art practitioners from China, Asia and the worldContinue reading Week 1 ‘Major’ and ‘Minor’ on curatorial approaches
