ShuWen gave some keys about Creative Time has commissioned and presented ambitious public art projects with thousands of artists throughout New York City, across the country, around the world—and now even in outer space. We have the concepts of “transnational” and “trans-regional” in common. In particular, unique landmarks have been commissioned for the creation ofContinue reading Week 6 / Organizational Report in my peer’s Curating
Hyundai Tate Research Centre Critical Report By exploring global connections between art and artists, the Tate Modern accumulation of curatorial, exhibition and art programs over the past two decades has created a more open and inclusive public platform. Since 2014, Tate Modern has had an 11-year partnership agreement with Hyundai Motor Corporation, including the creation of theContinue reading Week 5 / Hyundai Tate Research Centre of Organizational Report
Talbot Rice Gallery is the public art gallery of the University of Edinburgh I think there’s a big difference between a one-person show and a group show. The big difference is that if you work with an artist and do an exhibition, your real job is to support their vision, support their practice andContinue reading Week 4/ Reflecting The Talbot Rice Gallery’ s Curatorial programs
Ten years after the publication of An Archive of Feelings, I found myself amazed by the proliferation of LGBT archives as part of the ‘Archive Turn’. It plays an important role in promoting awareness of the LGBT situation, civil rights and cultural visibility. As exciting as these developments may be, stay with queer activist critiquesContinue reading Week 4 / Archive Turn and Queer archival
From my reading over the last three weeks, I have found three examples of ‘organizational’ approaches to curating that interest me. First, the Museum of Contemporary Art Chicago, it is different from the general art museum where the values of the past are enshrined. Instead it is a place where new ideas are shown andContinue reading Week 3 Organizational approaches
