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While strolling along the streets of Edinburgh, you might be able to sense those unspoken boundaries – they quietly delineate who belongs here, who can stay, and who feels like an outsider. My curatorial project “The Intangible Boundaries of Edinburgh” presents these hidden dividing lines through a self-guided outdoor “wanderlust exhibition” based on the city’s […]

The core focus of this week is to have the first communication with the mentor regarding the “artwork selection” and “implementation of practical operations” as key issues. Regarding the artist research, I have initially selected three artists. Chris Johanson, in his exhibition at The Modern Institute, presented profound thoughts on the relationship between daily life […]

This week, after a group discussion, I reflected on how the invisible boundaries of public spaces in Edinburgh were formed. These normalizations did not occur suddenly but were hidden within the details of daily space usage. For instance, in core tourist areas such as the Royal Mile and Princes Street, where there are many tourists, […]

Crowded streets of Edinburgh.

This week’s course, through further study of exhibition ethics and the inspiring personal insights of Talbot Rice gallery’s curator, James, on exhibition curation, has led me to have a deeper reflection on my exhibition project. I intend to clarify my third-week exhibition thinking by answering the five questions posed by James in class. Why exhibit? […]

sunflower seeds This is a large-scale immersive art installation in the Turbine Hall of Tate Modern in London. The entire space is a towering, industrial-style building. The entire floor of the exhibition hall is covered with hundreds of millions of handcrafted porcelain sunflower seeds. A person wearing a blue and pink checkered sweater and white pants is lying spread-eagle on the seeds, and in the distance, two other people are sitting and relaxing on this surface.

During the Week 2 course, I noticed several key words. Here, I would like to share with you my thoughts on the deep connection of phrases, some issues I discovered, and some inspirations for my own curatorial ideas. The first one is “dematerialization”, which marks a shift in artistic practice. Art is no longer confined […]

The film is projected onto the floor, featuring archival footage and drone shots that weave together historical fragments and nature-related scenes. Audience seats are arranged in a circular formation around the projection area. You can sit anywhere in the circle, facing the floor to focus on the visuals—like gazing through a "portal" in the ground into the world of the film, and immersively feeling the interplay of history and memory.

To understand issues, we must break free from a one-dimensional perspective.   When I was studying the course, I found that there were three terms that hindered my understanding: Anthropocene, Capitalocene, and The Billion Black Anthropocenes. After establishing a clear understanding, I connected the internal relationships among these three phrases, which form a progressively deepening […]

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