ห—หห‹๐˜€๐—ผ๐—บ๐—ฒ ๐—ฝ๐—ถ๐—ฐ๐˜€ ๐˜€๐—ผ๐—บ๐—ฒ ๐—ฝ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒหŽหŠห—

I saw books about curation during the exhibition in London and made records and sorted them out ย  Apr 26, 2023

ห—หห‹ใ€Š๐—–๐—ต๐—ถ๐—น๐—ฑ๐—ต๐—ผ๐—ผ๐—ฑใ€‹๐—”๐—น๐—น ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐—ฟ๐˜ ๐—ถ๐—ป๐˜๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ถ๐—ป๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป หŽหŠห—

1. Jiayi Chen, Dora Zoi ใ€ŠHippocampusใ€‹ Installation works โ€˜Hippocampusโ€™ is a work about forgotten memory with unforgotten love. This complex brain structure has a major role in learning and memory. Connected with the amygdala, which controls emotional memory recalling and regulation, the hippocampus is a key brain region in the emotional brain network. Jiayi isContinue reading ห—หห‹ใ€Š๐—–๐—ต๐—ถ๐—น๐—ฑ๐—ต๐—ผ๐—ผ๐—ฑใ€‹๐—”๐—น๐—น ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐—ฟ๐˜ ๐—ถ๐—ป๐˜๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ถ๐—ป๐—ณ๐—ผ๐—ฟ๐—บ๐—ฎ๐˜๐—ถ๐—ผ๐—ป หŽหŠห—

ห—หห‹๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜ ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ผ๐—ฟ๐—ธหŽหŠห—

For this entire exhibition, I think it is a success. I am very happy to cooperate with yushan zhao. We have a tacit understanding. Whether it is from the initial installation process to the exhibition distribution to the final disassembly work, we are very happy with all the processes. A good interpretation of the divisionContinue reading ห—หห‹๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐—ต๐—ฒ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜ ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ผ๐—ฟ๐—ธหŽหŠห—

ห—หห‹๐—–๐˜‚๐—ฟ๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฝ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜ ๐—ถ๐—ป๐˜€๐˜๐—ฎ๐—น๐—น ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฒ-๐—ถ๐—ป๐˜€๐˜๐—ฎ๐—น๐—นหŽหŠห—

Place: ECA Meeting Room C.21 Main Building (GB) Time: 4.19.2023 all day Installation process: It was the first time for curatorial installation, and I set the same time with yushan to meet up for the installation work. First of all, the first problem we faced was that the door of the room was locked. AlthoughContinue reading ห—หห‹๐—–๐˜‚๐—ฟ๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฝ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜ ๐—ถ๐—ป๐˜€๐˜๐—ฎ๐—น๐—น ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฒ-๐—ถ๐—ป๐˜€๐˜๐—ฎ๐—น๐—นหŽหŠห—

ห—หห‹๐—ช๐—ผ๐—ฟ๐—ธ ๐—ฑ๐—ถ๐˜ƒ๐—ถ๐˜€๐—ถ๐—ผ๐—ป -๐˜„๐—ถ๐˜๐—ต ๐—ฌ๐˜‚๐˜€๐—ต๐—ฎ๐—ป ๐—ญ๐—ต๐—ฎ๐—ผหŽหŠห—

Apr 13, 2023

ห—หห‹๐—ช๐—ฒ๐—ฒ๐—ธ๐Ÿญ๐Ÿญ ๐—™๐—ถ๐—ป๐—ฎ๐—น ๐˜€๐—ฒ๐—บ๐—ถ๐—ป๐—ฎ๐—ฟ ๐˜„๐—ถ๐˜๐—ต ๐—.๐—Ÿ.หŽหŠห—

25 word short descriptorโ€‹ All the artworksย are inspired by childhood stories, using different forms of expression to reshape childhood moments: explore your childhood memories by encountering the stories of others. 300-500 word introduction:(Revise) The topic of childhood seems to be farther and farther away from us. Picasso once said: “I was as good as RaphaelContinue reading ห—หห‹๐—ช๐—ฒ๐—ฒ๐—ธ๐Ÿญ๐Ÿญ ๐—™๐—ถ๐—ป๐—ฎ๐—น ๐˜€๐—ฒ๐—บ๐—ถ๐—ป๐—ฎ๐—ฟ ๐˜„๐—ถ๐˜๐—ต ๐—.๐—Ÿ.หŽหŠห—

ห—หห‹๐—ฃ๐—ฒ๐—ฒ๐—ฟ ๐—ฅ๐—ฒ๐˜ƒ๐—ถ๐—ฒ๐˜„.โ€”โ€”๐—ฌ๐˜‚๐˜€๐—ต๐—ฎ๐—ป ๐—ญ๐—ต๐—ฎ๐—ผหŽหŠห—

https://blogs.ed.ac.uk/s2441634_curating-2022-2023sem2/ Yushanโ€™s curatorial theme is the same as mine, and we both chose the theme of childhood. We have a common appeal that throughout the whole exhibition, visitors can empathize and understand, and this exhibition can resonate with the audience and leave a deeper impression on them. Most of the works exhibited by Yushan comeContinue reading ห—หห‹๐—ฃ๐—ฒ๐—ฒ๐—ฟ ๐—ฅ๐—ฒ๐˜ƒ๐—ถ๐—ฒ๐˜„.โ€”โ€”๐—ฌ๐˜‚๐˜€๐—ต๐—ฎ๐—ป ๐—ญ๐—ต๐—ฎ๐—ผหŽหŠห—

ห—หห‹๐—ช๐—ฒ๐—ฒ๐—ธ๐Ÿญ๐Ÿฌ ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฝ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด, ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฃ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด ๐— ๐—ฒ๐—ฒ๐˜๐—ถ๐—ป๐—ดหŽหŠห—

๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฃ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด ๐— ๐—ฒ๐—ฒ๐˜๐—ถ๐—ป๐—ด Regarding the group discussion, each of us followed up the progress. My poster work has also come to an end, and I will make the last revision in response to JL’s comments.   ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฝ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด Regarding the part of curating by oneself, there is no need to borrow equipment, and all useContinue reading ห—หห‹๐—ช๐—ฒ๐—ฒ๐—ธ๐Ÿญ๐Ÿฌ ๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฝ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด, ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฃ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด ๐— ๐—ฒ๐—ฒ๐˜๐—ถ๐—ป๐—ดหŽหŠห—

ห—หห‹๐—ช๐—ฒ๐—ฒ๐—ธ๐Ÿต ๐—๐—ฎ๐—บ๐—ฒ๐˜€ ๐—–๐—น๐—ฒ๐—ด๐—ด ๐˜ƒ๐—ถ๐˜€๐—ถ๐˜, ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฃ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด ๐— ๐—ฒ๐—ฒ๐˜๐—ถ๐—ป๐—ดหŽหŠห—

๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฃ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด ๐— ๐—ฒ๐—ฒ๐˜๐—ถ๐—ป๐—ด Regarding group meetings, everyone’s curatorial progress was followed up. And ask everyone about their role assignments in class tasks. . ๐ŸŒŸRegarding my role in the task assigned by the class: making posters.As a collective poster production, I think there are several elements that need to be considered: โ€œThe Process of Poster Designโ€Continue reading ห—หห‹๐—ช๐—ฒ๐—ฒ๐—ธ๐Ÿต ๐—๐—ฎ๐—บ๐—ฒ๐˜€ ๐—–๐—น๐—ฒ๐—ด๐—ด ๐˜ƒ๐—ถ๐˜€๐—ถ๐˜, ๐—š๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฃ๐—น๐—ฎ๐—ป๐—ป๐—ถ๐—ป๐—ด ๐— ๐—ฒ๐—ฒ๐˜๐—ถ๐—ป๐—ดหŽหŠห—

ห—หห‹๐—ช๐—ฒ๐—ฒ๐—ธ๐Ÿฐ ๐—˜๐—บ๐—ฏ๐—ฎ๐˜€๐˜€๐˜† ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜-๐—ฟ๐˜‚๐—ป ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฎ๐—ฟ๐—ฐ๐—ต๐—ถ๐˜ƒ๐—ฒ๐˜€หŽหŠห—

ใ€ŠArtists Running: 50 Years of Scottish Cultural Devolutionใ€‹ The article covers the relationship between Scotland’s emerging artist-run organizational culture and its long-established Unionist-nationalist arts institutions. Under the influence of culture and history of different ages, it has different influences on Scottish contemporary art. As Neil said, finding the right studio accommodation was a problem. ArtistsContinue reading ห—หห‹๐—ช๐—ฒ๐—ฒ๐—ธ๐Ÿฐ ๐—˜๐—บ๐—ฏ๐—ฎ๐˜€๐˜€๐˜† ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜-๐—ฟ๐˜‚๐—ป ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฎ๐—ฟ๐—ฐ๐—ต๐—ถ๐˜ƒ๐—ฒ๐˜€หŽหŠห—