25 word short descriptorโ
All the artworksย are inspired by childhood stories, using different forms of expression to reshape childhood moments: explore your childhood memories by encountering the stories of others.
300-500 word introduction:(Revise)
The topic of childhood seems to be farther and farther away from us.
Picasso once said: “I was as good as Raphael when I was fourteen. I used a lifetime to learn painting like a child.”
The work of many artists features traces of childhood, among them Murakami Murakami, Yayoi Kusama as well as Picasso. These works created in pursuit of a childish heart have become the most beautifulย landscape in modern art.
The entire exhibition hopes to talk about the combination of “new” and “old”, it can also be combined with the presentation of the current media equipment with the childhoodย objects.ย This is one of the reasons why I chose to cooperate with Zhao Yushan. The artists selected are practitioners in the art industry, who are good atย different artistic expressionsย such as book design, illustrations, animation, and installation design. In terms of content, everyone’s childhood or happiness orย unhappinessย orย may has hate and nostalgia for childhood.
Each work is exhibited in the form of a printing,ย and a story copy of the sticker is attached next to theย story introduction.The website will also have a short art filmย that is displayed on the computer and display. Regarding the location of the exhibition, the entire exhibition is about childhood memories, so pay more attention to understanding the content and a more familiar environment. The viewers will think of habitual thinking and believe that good works should be in the museum. This is not the case. Many artists’ “famous” works are often affixed to buses and walls. Therefore, young people who want to visit the exhibition can generate their thinking through their observations and understanding.
Before doingย this theme, I have seen the work exhibition of French artist Seth. His works also use the wall as a blank canvasย , relying on the personal or collective imagination. He made each child a spokesperson, the messenger of his investigation, and challenged the idea of the innocent image, and was placed in difficult societyย political and geographical environment. “Children’s sweetness and innocence often compareย with the chaosย environment that I choose to make them.” As screen habits become more and more common, we read less and less. The screen makes us lazy and destroys our imagination. Therefore, the exhibition content I planned is not only the “autobiography” of the artist but also aims to explore the “autobiography” of every audienceย after the audience resonated, recalling the past, caused every audience to think aboutย childhood, freedom, existence, and possession.
