Month April 2026
1. Introduction My SICP project “Invisible Load: The Boundary Between Gazing and Being Gazed Upon” not only presents women’s invisible experiences within the exhibition but also uses the exhibition as a mechanism of visibility to critically engage with these issues…. Continue Reading →
1. Project Overview Exhibition Title: Invisible Load—The Boundary Between Gazing and Being Gazed Upon Venue: Summer Hall Sciennes Gallery Dates: May 4–8, 2026 (5 days) 10:00 a.m.–6:00 p.m. Lead image: 2. Curatorial Narrative “Invisible Load” is a contemporary art… Continue Reading →
In terms of the blog’s overall structure and content, the post titles and text layout are clear, allowing readers to immediately understand the weekly theme. Each weekly post is well-structured with coherent content. Starting from the first week, the author… Continue Reading →
The Musée d’Orsay in Paris, France, is known as the “Hall of Impressionism,” Its galleries and exhibitions are organized according to the historical periods in which the artists lived and the artistic movements to which they belonged. The museum is… Continue Reading →
The Musée d’Orsay in Paris, France, is known as the “Hall of Impressionism,” Its galleries and exhibitions are organized according to the historical periods in which the artists lived and the artistic movements to which they belonged. The museum is… Continue Reading →
Exhibition Viewing—-The dead don’t go until we do Gallery:Talbot Rice Gallery Link: The dead don’t go until we do Visit the exhibition “The dead don’t go until we do”. Focusing on the theme that “the departed have not truly left… Continue Reading →
Course Reflections: Through the course of study, my understanding of the concept of curation has undergone a significant transformation. Initially, when I first encountered curation, I merely thought it was about setting a theme, selecting artists and works, and presenting… Continue Reading →
