Plesna make monumental sculpture witch is usually figurative or of just a face. His faces are usual manipulated subtly in some way, witch he does using 3d modelling software. His work often is made out of mesh and is transparent and i feel resonates with my digital work. He also works with stone and other more substantial materials and although his scale is totally different to what I am interested in at the moment, the subtlety of his manipulations to his faces is something I would like to explore.
In a 2019 article discussing his work Plesna describes being interested in transients and the intangible (the spirit) witch he materialises through his sculpture. I think the way he achieves other worldliness through subtle manipulations could be something i could use in my work, as the digital nets I am making seem to lend themselves so well the the surreal.
https://jaumeplensa.com/gestorPlensa/Moduls/bibliography/press/pdf/60/2019%20Forbes.pdf
It is also interesting to look at Plesna’s work on paper. There is a clear relationship between his 2d and 3d work, witch is something I am trying to achieve in my work.

![Isabella Inskip / MA FINE ART 4 STUDIO AND RESEARCH (2020-2021)[YR]](https://blogs.ed.ac.uk/s1758578_ma-fine-art-4-studio-and-research-2020-2021yr/wp-content/uploads/sites/2953/2021/03/cropped-Screenshot-2021-03-06-at-23.19.39.png)

