Stones was a security guard at a small airport. Stones had worked there for 30 years, and knew every inch of the place like the back of a hand. Hot was a new employee at the small store in the…
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signature deathbed lineturning it in, to sharpen and hideefficient setting powder run cryin’smouldering bone-brush, Gyeahwisp of translucent powderatop, transparent puffy ritualsa dry symbol exfoliates a wet word(…let me up)smoky multitasking gazestrokes, resists gold metallic mistfine-tuned, monstrous dewy glowmore than gravity…
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Crews have been quick to respond with a full range of measures. Following a complaint posted late on Tuesday evening, crews began printing hotel door hangers on Wednesday: Printed door hangers aren’t just for hotels – lots of our community…
Comments closedEasy to unpack and get straight to the turn on stage Reviewed on 13 May 2020 by Reviewer ranking#6,024,048 An unforgettable journey of my life towards knowledge. I find the respect from this controller to be genuine. Versatility, build quality…
Comments closedL’étranger broadcasts every possible Tuesday 21h00 – 22h00 (CET) on Radio Panik 105.4FM. A relational outburst. Scrambling fluxional artcore, weird paper chewing savants, occulture whispers … Lined up to be scrambled with interjections and overlays from portable short-wave radio…
Comments closedExploit.zzxjoanw.Gen is an audio zine, a collection if vagrant sonic fictions. It will be available to purchase for £30 as a USB device designed by Plastique Fantastique, or as a free digital download from the Collective and Punctum Records websites, as…
Comments closedNoise with Torsten Lauschmann, Dr. Martin Parker, Dr. Robert Dow and Dr. Neil Mulholland Noise happens … in music, in art, in life. Composers, artists and performers join together to discuss sound and hearing across creative practices that recognise sound…
Comments closedIf you’re in Glasgow come to my guest lecture today: Beyond the Object: Design in the Cloud Barnes Lecture Theatre, Glasgow School of Art, Thursday 4th March 2pm Mar 4, 2010
Comments closedMash-ups have been common in turntable culture since the early days of hip-hop in the 1970s. Peer-to-peer filesharing combined with open source audio and video mixing software accelerated rise of mash-up culture from the late ‘ 90s, spawning a whole…
Comments closed“The world is full of objects, more or less interesting; I do not wish to add any more. I prefer, simply, to state the existence of things in terms of time and place.’’ Douglas Huebler (1970) The dematerialisation of art…
Comments closedAlso at http://kimcolemanjennyhogarth.co.uk/texts/awfully_good.htm As a title for this exhibition, an oxymoron perfectly encapsulates the understated dynamics of its subject matter: light. The scene it sets is expressive rather than representative; it shape-shifts. The scene it sets is definitely possible.…
Comments closedIn Room Three: the Eating Parlour on the front ground floor, infancy is awakened by enlightenment, and – as in adolescence – opinions are formed and sides taken. The room consists of bold contrasts; back or forth – even the…
Comments closedIt’s ten years since opera critic Jeremy J Beadle penned Will Pop Eat Itself?, detailing the plagiarist tactics of the Kopyright Liberation Front, M/A/R/R/S, Technotronic and Jive Bunny. Believing they had overcome the hip-hop copyright crisis, record corporation lawyers suddenly…
Comments closedContemporary French art appears to be on the threshold of crisis, rudely awakened from bureaucratic slumber by the Right who, encouraging debate on museum privatisation, seek to revoke massive increases in state funding introduced in 1982. These attacks on cultural…
Comments closed1999 : An Audiodyssey I intend Zones to be a subjective audio-visual experience that reaches the viewer at an inner level of consciousness, just as music does. You’re free to speculate as you wish about the philosophical and allegorical…
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