Overview In the thirteen week’s research, I was pondering the issue of exhibit placement, which required consideration based on the nature and relationships of the exhibits. From the perspective of exhibit layout, would there be any viewing influence among the… Continue Reading →

Overview In the twelfth week of the research, I was considering how to enrich the issue of exhibition rationality. Therefore, I attempted to start from literature research and exhibition cases, seeking some content that could be referenced and learned from…. Continue Reading →

Overview During the eleventh week of study, I mainly attempted to explore and identify some potential sources of funds. The main considerations included Creative Scotland and some related community organizations. Additionally, I tried to offset part of the budget expenditure… Continue Reading →

Overview During the tenth week of study, I mainly focused on the construction of the exhibition budget and collective practice. While reviewing the overall budget structure, I also further added potential costs and adjustable spaces that were not included, and… Continue Reading →

Overview During the ninth week of study, through the workshop discussions of the course, I referred to the Will Pham’s work Recipes of Life, and designed my public exhibition project, a cooking workshop named Memory Recipes: The Taste of Translation,… Continue Reading →

Overview During the 8th week of course study and exploration, I began to consider the exhibition venue. Taking into account the geographical relationship, spatial usage, thematic relevance, and budget feasibility, I finally chose Edinburgh Palette (St Margaret’s House) as the… Continue Reading →

Overview During the exploration of the individual curatorial project in the seventh week, based on the principles of feasibility, variability, and operability, I further screened the selected artworks according to the intentions, and also considered the possible sources of the… Continue Reading →

Overview During the sixth week of the curating course, the focus was on the role of publications in exhibitions. The course included a section on describing the works, which left a deep impression on me. I noticed that there seemed… Continue Reading →

Project Overview Explores how contemporary Southeast Asian diaspora artists continuously generate and reconstruct their identities through materials, bodies and visual language within a cross-cultural context. Diaspora is not a starting point but a continuous process of generation. They are not… Continue Reading →

Overview In the fifth week of the course, we focused on “Media + Time” and explored how time-based art media has entered the art museum system through the historical evolution of film, video, and digital technology. We also analyzed how… Continue Reading →