Play
- Critic and form?
- 1960-Trun way, formalism? Shift concept, how we produce and experience?
- ‘Score’, creating rules, noble thing to happen.
- The notation: Building language and form of marking.
- Fluxusism 1960-1970.
- Fluxus: who engaged in experimental art performances which emphasized the artistic process over the finished product.
- Case: John cage-form of score-‘Slience’
- A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century.
- What changed? Intermedia-Anything can be art material.
- Note-field work: articulated valued.
- Methodology: social studies as the core part.
- ‘Play’ that is all-encompassing and boundless. ‘Play’ as a personal expression, beauty, counter-cultural politics and moral values. A Pluralistic coexistence.
- Reading: The ambiguity of play-
- Reflective analysis: We are orbit resample and create something new in contemporary art practice, let us considered ‘score’, what is unstainable, why is interesting, how the principal formed and what is the relationship of ‘score’?
