Notes_ week 1
  • Some comments

Lighting can add a lot of story to interior design. In my opinion, when considering the function and narrative of the whole space, we need to consider whether lighting can better help us complete the whole story. I once felt the charm of light in a documentary about film lighting: the actors sat in the same position without even changing their posture, but only the color and intensity of the light changed, and the picture changed from warm to sad.

Light is a very attractive tool and can add more layers to the interior if it is skillfully used. Some architects can even use invisible, dynamic daylight as a key and vivid component of tangible, still architecture, which makes me yearn for it.

 

 Miro board_ week 1
Suzhou Museum_Roof
Miro board_ week 1
Case study_ week 1

In the case of The Brother Klaus Field Chapel, this is an angle from the ground floor looking up to the sky. The farther away from the center the darker the sun shines through the hole. The closer you get to the light source, the more intense the contrast. The four corners of the image are the blackest (80%-95%), followed by the radiating central region with the most varied colors and layers (10%-80%), and finally the region closest to the light source with the strongest contrast (5%-10%) and the deepest dark region (95%-100%).