Category Reviews
signature deathbed lineturning it in, to sharpen and hideefficient setting powder run cryin’smouldering bone-brush, Gyeahwisp of translucent powderatop, transparent puffy ritualsa dry symbol exfoliates a wet word(…let me up)smoky multitasking gazestrokes, resists gold metallic mistfine-tuned, monstrous dewy glowmore than gravity… Continue Reading →
Hey everyone, we’re back. Lightweight, comfortable. Fine robes. Air unfouled. Ready to absorb. OMG! So… I ring up a number sent earlier on WeChat; the call goes dead. Then a few clicks – I do the 2-factor thing. The dial… Continue Reading →
TABLE MIC: The best thing is…, and this is something I don’t say lightly, the best really is the adversary. Here we have an antagonist that has no perspective, that has no quarry, that is irritating, messy, and that just… Continue Reading →
Delivered narrow insensible alkaline action Reviewed on 13 May 2020 by Verified Purchase Battery energy is one sure way to improve produce in otherwise limited or lethargic offices. It can also help with household behaviour. Where most batteries are square… Continue Reading →
Easy to unpack and get straight to the turn on stage Reviewed on 13 May 2020 by Reviewer ranking#6,024,048 An unforgettable journey of my life towards knowledge. I find the respect from this controller to be genuine. Versatility, build quality… Continue Reading →
Ten Years in an Open Necked Shirt (p111-119) is my contribution to: GENERATION: 25 Years of Contemporary Art in Scotland Guide and Reader Edited by Moira Jeffrey National Galleries of Scotland and Glasgow Life Over the last twenty-five years Scotland has had… Continue Reading →
Martin Boyce, Our Love is Like the Flowers, the Rain, the Sea and the Hours, Tramway, Glasgow, Until 19th January 2003. Adrian Wiszniewski, Dream On, Glasgow Print Studio, Glasgow, Until 24th December 2002. Boyce’s brooding installation of chain-link fencing, modern… Continue Reading →
Richard Wilson: Irons in the Fire Talbot Rice Gallery, Edinburgh Until 14th December 2002 “Personally, I have always considered Richard Wilson to be the finest British landscape painter of the late eighteenth century”, quipped art historian David Hopkins. Judging by… Continue Reading →
