The Film Dispatch

A magazine dedicated to cinema, television and the moving image, run by students on the Film Studies programme at the School of Literatures, Languages and Cultures

Cannes 2022: The Life Cycle of a Film

戛纳电影节闭幕那天,朋友在我身边说:“我好像刚刚开始习惯和熟悉这一切,它就要结束了”。这短暂参加电影节的三天里,除了观看电影本身,所有的观众被仪式、礼节、评论和评奖所包围。每一部电影的播映观众都会鼓三次掌,一次在开头,为电影节作为艺术的殿堂。第二次在电影播映结束,为电影作为艺术本身。第三次,为所有参与电影制作的演职人员。除了这三次鼓掌之外,我认为观众的在场、他们给予电影节的期待,热枕,向往与憧憬也包含了在这三次掌声当中。   如果问我在戛纳电影节的现场观看电影和在影院和家里看电影有什么最大的不同。我的答案可能会是,我见证和参与了一部电影生命的最初时刻,在我看来电影节是电影生命的秀场,对于大多数电影来说,从电影节的首次展映,到影院上线,再到流媒体平台的上映。这一套流程的生命周期也只有短短一年。而电影节上观众和电影相遇的最初时刻,是电影制作团队能够看见影迷作为具象的个体的时刻,是在黑暗的的影厅里屏住呼吸感受被叙事和情绪拽离现实的时刻,是感受电影第一次荧幕播放的荣光的时刻。   On the closing day of the Cannes Film Festival, a friend was beside me and said,…


Report this page

To report inappropriate content on this page, please use the form below. Upon receiving your report, we will be in touch as per the Take Down Policy of the service.

Please note that personal data collected through this form is used and stored for the purposes of processing this report and communication with you.

If you are unable to report a concern about content via this form please contact the Service Owner.

Please enter an email address you wish to be contacted on. Please describe the unacceptable content in sufficient detail to allow us to locate it, and why you consider it to be unacceptable.
By submitting this report, you accept that it is accurate and that fraudulent or nuisance complaints may result in action by the University.