Research Background The exhibition 24/7 employs a multi-sensory experience to prompt audiences to reflect on how capitalism erodes our time through technology, work structures, and social media, forcing us into a perpetual operation. How 24/7 reveals time control in modern… Continue Reading →
Through one-on-one mentoring and group discussions with peer evaluations, I deeply reflected on my project. Reflection on the 1 to 1 tutorial: First, the curatorial approach should avoid merely individualizing social issues. For example, instead of simply providing a ‘healing’… Continue Reading →
Learning from “Personal Accounts” by Gabrielle Goliath This week, I saw the video installation Personal Accounts, curated by Tessa Giblin and created by artist Gabrielle Goliath. Goliath combines still images with gestures, micro-expressions, and silent exchanges to suggest that trauma… Continue Reading →
Regarding the name of the group, I came up with: Lichen Assembly We can draw inspiration from the symbiotic mechanism of lichen to reimagine the meaning of exhibitions through symbiosis, slow thinking, and cross-disciplinary integration. Just as lichens expand slowly… Continue Reading →
I’d like to delve deeper into the issue of women’s time poverty.The Secret Tax on Women’s Time highlights that in addition to the well-known “pink tax”—where women’s personal care products cost 13% more on average than men’s—women also face a… Continue Reading →
Through studying the content of the Week 1 class and researching the exhibition of artist Marina Abramović, I have gained a deeper understanding of curating and its potential as a tool for self-exploration. From Sacred Space to Public Spectacle Historically,… Continue Reading →
In Week 2, Terry Smith’s concept of the Visual Arts Exhibitionary Complex (VAEC) provided crucial theoretical insights for my understanding of curating as inherently structural. Smith highlights that curatorial decisions are not neutral but deeply embedded within historical, institutional, and… Continue Reading →
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