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WEEK5

Following my engagement with this week’s literature, I have concluded that four key aspects must be implemented to promote a new vision for contemporary art. These are as follows:

 

  1. Community Engagement and Learning

The organisation emphasises the need to create opportunities for community engagement and learning by promoting collective reflection and evaluation. This method aligns with the ethos of participatory art, whereby the process of creating and engaging with art is democratised and made more accessible to a wider audience.

 

  1. Sustainable Economic Practices

There is a clear commitment to fair working practices and economic sustainability, demonstrated by the organisation’s reference to ‘bubble team structures’ and the goal of creating a more horizontal organisational model. This can be used to reduce the pay gap and create a collaborative working environment. From this, a more equitable and inclusive approach can be used within the arts’ organisational practices.

 

  1. Evaluation and Impact Measurement

In an attempt to effectively measure success, the organisation has a clear focus on nuanced evaluation methods that prioritise complex and subtle impacts over quantitative metrics. This method aligns with contemporary-art-world discussions which consider the need for evaluation frameworks that capture the qualitative aspects of arts engagement and its potential to be transformative.

 

  1. Art as a Catalyst for Change

The organisation’s exhibition and program that focus on contemporary social, cultural and political issues demonstrates the view that art is an integral tool for social commentary and activism. By emphasising the need to support non-commercial artworks and addressing the under-representation of the arts, this reinforces this perspective and highlights how organisations can serve as spaces for critical discourse and cultural exchange.

 

The literature shows the importance of the collaborative and interdisciplinary nature of contemporary art, alongside the significance of cross-sectoral partnerships. By collaborating with artists, communities, policymakers and academics, organisations can enrich the arts ecosystem and offer diverse perspectives to foster a culture of innovation and inclusion.

 

In short, realising a vision for the contemporary arts requires a commitment to community engagement, sustainability and reflective practice. Once these principles are at the heart of the organisation, they can begin to contribute to a vibrant and responsive cultural landscape that reflects contemporary society’s challenges and aspirations.

 

References:

 

Bishop, C. (2012). Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso Books.

 

Helguera, P. (2011). Education for Socially Engaged Art. Jorge Pinto Books Inc.

 

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