In Curating and the Educational Turn, O’Neil and Wilson have demonstrated that contemporary curating has shifted from pure visual display to meditation and reflection of ideas around art since the late 1960s (O’Neill & Wilson, 2010a). Following this idea, Terry… Continue Reading →

This is the review I wrote for Juyee Lu: “In terms of clarity and structure, the posts lack continuity of research. Your latest post is about wayward curating (Whittle, 2019), which is associated with the reading material in week 3. It… Continue Reading →

When asked about the difference between group shows and solo exhibitions, from the reply of the curator of the Talbot Rice Gallery, “fairness” is the keyword in a collective project. It refers to the limited gallery spaces being distributed equitably… Continue Reading →

The engagement with student artist Siri Burt, who uses photography and ceramics to reinterpret Scottish folklore and mythologies (Burt, 2024), opens the discourse on the potential exhibitory spaces for our respective curatorial projects. There is a strong association between the… Continue Reading →

“Trembling thinking is the instinctual feeling that we must refuse all categories of fixed and imperial thought…it allows us to be in real contact with the world (The Glasgow Guardian, 2023).” Figure 1. Wall text written by Edouard Glissant of… Continue Reading →

I went to Berlin and spent some time exploring the artistic landscape of the city while searching for inspiration for the floor plan of the project.   Technology Titled Poetics of Encryption, the exhibition presented by KW opens the discourse between… Continue Reading →