In Fault Mode Reflection Apr 28, 2024

The Domino Project Note: The quotes in the foreword and epilogue are originally from Boyi Feng’s account of the exhibition “Domino Plan in the Space” he curated in 2009, which has been recorded in his book I’m with the Future… Continue Reading →

Many exhibitions happened to produce their digital counterpart during the pandemic. For example, the The Allure of Matter (2020), and the Critical Zone (2020-2022) – were both initiated in 2020. In Curating in the Post-Internet Age, Boris Groys borrows the concept… Continue Reading →

In Curating and the Educational Turn, O’Neil and Wilson have demonstrated that contemporary curating has shifted from pure visual display to meditation and reflection of ideas around art since the late 1960s (O’Neill & Wilson, 2010a). Following this idea, Terry… Continue Reading →

This is the review I wrote for Juyee Lu: “In terms of clarity and structure, the posts lack continuity of research. Your latest post is about wayward curating (Whittle, 2019), which is associated with the reading material in week 3. It… Continue Reading →

When asked about the difference between group shows and solo exhibitions, from the reply of the curator of the Talbot Rice Gallery, “fairness” is the keyword in a collective project. It refers to the limited gallery spaces being distributed equitably… Continue Reading →

The engagement with student artist Siri Burt, who uses photography and ceramics to reinterpret Scottish folklore and mythologies (Burt, 2024), opens the discourse on the potential exhibitory spaces for our respective curatorial projects. There is a strong association between the… Continue Reading →

“Trembling thinking is the instinctual feeling that we must refuse all categories of fixed and imperial thought…it allows us to be in real contact with the world (The Glasgow Guardian, 2023).” Figure 1. Wall text written by Edouard Glissant of… Continue Reading →

I went to Berlin and spent some time exploring the artistic landscape of the city while searching for inspiration for the floor plan of the project.   Technology Titled Poetics of Encryption, the exhibition presented by KW opens the discourse between… Continue Reading →

Last week, I arranged a casual interview with the artist. After the discussion, we have decided to narrow down the current curatorial focus to poor image, a substandard replica in the cyberspace coined by German filmmaker Hito Steyerl. “The poor… Continue Reading →