1⃣️In class we watched a movie with no side, no music, no color just live music, which appealed to me because it was fun. Regarding the connection between contemporary art and anthropology, anthropology and contemporary art in the late nineteenth and early twentieth centuries overlapped a lot, and anthropologists always saw themselves as special, and they might see art objects as container to study, or a symbol.
Beginning in 1980, a critical way of looking at images emerged, making something like substance possible.
We can’t smell anything from the movie, but the sensory experience can let you feel the “smell” in the movie. Sweet Grass is a series of films, 6 short films are derived from the same shot, but they are different from the main film, but they are divided into various spaces. You can see how this is how to integrate the film into the display and curation of the gallery works various technologies in.
Anthropologists render ethnography through poetic writing, but there is still a sense of longing and anticipation.
2⃣️In the second half of the lecture, we watched a film. The screens were separated, and different events happened with the content presented separately, trying to produce things through the triggering of the memory of the object.🎬
