Any views expressed within media held on this service are those of the contributors, should not be taken as approved or endorsed by the University, and do not necessarily reflect the views of the University in respect of any particular issue.

[SEM2] Site Week 4 02/04/2022

For the embassy show, I will start present my work in from of a video installation consists of 3-9 flatscreen monitors mounted on metal tubes (or other forms of metal structures that I’m able to build in metal workshops). During my Monday group critic, Keith mentioned multiple artists including Gretchen Bender (https://hammer.ucla.edu/take-it-or-leave-it/artists/gretchen-bender), Brian Eno(https://www.youtube.com/watch?v=YQllM0qx3c0), Christopher Williams, Ed Atkins, Ian Gouldstone (https://iangouldstone.com/projects/NNDeptford/), and etc which I will look more into concerning my own way of showing my work on digital screens.

Regarding the site specific concept, I’m capturing landscape and cityscape photos of locations in Edinburgh that seems vague, ambiguous and undefinable to me with my film camera. I have dropped 4 rolls of film at the developing lab in ECA this week, but since the the machine won’t be fixed until Monday, so I don’t have the images just yet. When I got my developed film rolls, I will first scan and create a digital copy of the images. Then, I will work on alternatives ways of manipulating those analogue films through post production to create even more ambiguous digital forms (which could be in still photo, moving images, animations and etc.) I will also experiment with the film negatives psychically using different ways of scanning or even printing in the darkroom to create more variations of the images. Additionally, I’m also capturing random pedestrians on the streets since I’m thinking about manually creating double exposures with those street portraits and my landscape photos to emphasize this interaction between humanity and the nature.

Finally, when all the digitally and psychically images are ready, I will combine them on my laptop and make a video in order to play them on synchronized monitors which I mentioned previously. Each screen creates its own little space. While all the screen are synchronized together, they form another space with each little space emerging and colliding with each other with videos playing.

 

Total Recall, by Gretchen Bender, 1987

Art in Focus: Brian Eno – 77 Million Paintings

HPR: 77 Million Paintings - Brian Eno - The High Performance Rodeo: Calgary's International Festival of the Arts

Leave a reply

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

This site uses Akismet to reduce spam. Learn how your comment data is processed.

css.php

Report this page

To report inappropriate content on this page, please use the form below. Upon receiving your report, we will be in touch as per the Take Down Policy of the service.

Please note that personal data collected through this form is used and stored for the purposes of processing this report and communication with you.

If you are unable to report a concern about content via this form please contact the Service Owner.

Please enter an email address you wish to be contacted on. Please describe the unacceptable content in sufficient detail to allow us to locate it, and why you consider it to be unacceptable.
By submitting this report, you accept that it is accurate and that fraudulent or nuisance complaints may result in action by the University.

  Cancel