1. There are many different ways to view art in the post-internet era, from social media, artist websites, media coverage and live streaming alone. There are also a variety of offline channels, such as galleries and art flash shops, through which viewers can see, buy and participate in the possibilities of reinvention. This has contributed to the further development of the online art market.
  2. The tools and technologies of the post-cinema era have changed the way films are created. The scholar Cornell said that artists bring something different to virtual reality, and virtual reality technology brings more challenges and innovations to online art, so technology has become an indispensable influence in the post-cinema era.
  3. Because technological innovation has made it possible to diversify the presentation and perception of artworks, and to attract an ‘unexpected’ audience in one way, post-Internet art has been able to enter people’s everyday lives through the Internet.

    A different kind of fragmented viewership has been achieved, and people can see art in ways that go beyond the gallery.

    The form of online art is more open, allowing for a variety of relationships and interventions, and giving artists and artists a good way to communicate. It is a platform for artists and artists to communicate, create and present their work.

  4. As visual practitioners, we see more ‘post-internet art’ as a practice that intervenes in everyday life through the internet. Post-internet artists have mostly grown up in the internet and mobile internet era, and they remain energetic on social media, interacting with audiences and keeping up to date with the speed and intensity of their work. They may have multiple identities at the same time, such as professional artists, designers, writers, website operators or art school teachers.

    Also ‘using the web’ as a tool for production and experimenting with how images are distributed online.

    The ways and means of viewing art in the post-internet era are also very diverse, with various social media, artist websites, media coverage and live streaming alone. There are also a variety of offline outlets, such as galleries and art flash shops, through which viewers can see, buy and participate in the possibilities of reinvention.

  5. The post-network is more of an “intervention in the everyday” through the network

    It is also more like a more open, transboundary, decentralised field of production.

    A different model of fragmented viewing is achieved.

    It is a more open form of art, allowing for a variety of relationships and interventions, giving artists and artists a good platform for communication, creation and presentation. It is also a platform for the creation and presentation of artworks.

post-internet era / Xin Li / TPG Studio (2021-2022)[SEM1] by blogadmin is licensed under a Creative Commons Attribution CC BY 3.0