I decided to elaborate on my previous photoshop work. My collage pieces’ highly contrasted feel makes lino printing an appropriate medium to develop my ideas visually. Working from these highly angular collages, I created prints that explore the fundamental forms of the chair and blur the boundary between context and object, creating one homogenous image. I found that the marks from the cutting process left on the print, as well as the texture created by ‘ghost prints’ have a certain wooden visual quality to them, which links back to the chair as the found object, and creates a disconnected experience between texture and form.
