Following my work on creating soundscapes considering aural memories I decided to create a painting based on one my most prominent memories of sound, an infamous explosion in…
Following my consideration of the relationship between visual stimulus and aural imagination, I decided to paint some abstract studies intended to create a sense of an “aural landscape”,…
Rather than work directly with sound for this project I decided I would work with the visual representation of sound. My initial idea was to listen to sounds…
As the culmination of my practical and historical research into ukiyo-e and mokuhanga I chose to create this blog post of the full process of making two different…
I decided to begin getting to grips with the methods and processes of mokuhanga by designing and printing a simple ukiyo-e. I was more concerned with understanding and…
It was important to me that I researched and sourced high quality and authentic tools and materials and the proper terms for and uses of them. This is…
Kitagawa Utamaro – Fukuju 福寿 (The Fukuju tea-house), 1794-1795 I decided on Ukiyo-e (the genre of Japanese woodblock prints) as my subject of the Making and Breaking Narrative…
Following feedback on my last piece of work that the sculpture resembled some form of sea life, I decided to create another sculpture in which I consciously chose…
Images and detail images of the plastic bottle sculpture. I chose to take further my primary research – melting and transforming a plastic bottle as my found object…
