“If art can be said to reflect the conditions of the world in which it is made, art that engages with the vanguard technology of an era can perhaps be said to have a particular purchase on contemporaneous visions of…
Comments closedPosts
The aim of our charrette is to investigate different ways in which Scottish Universities might work with our host Hospitalfield on research projects, knowledge exchange and related funding bids. The structure and constitution of the charrette is designed to draw out different…
Comments closed4th BIENNIAL MEETING OF THE BABEL WORKING GROUP Centre for Medieval Studies, Lillian Massey Building, 125 Queen’s Park, University of Toronto, Toronto, Canada DAY 3: SUNDAY, OCTOBER 11 Un/Session 6. Mash Notes Co-Organizers: Helen Burgess (North Carolina State University) + Craig…
Comments closed4th BIENNIAL MEETING OF THE BABEL WORKING GROUP Centre for Medieval Studies, Lillian Massey Building, 125 Queen’s Park, University of Toronto, Toronto, Canada DAY 1: FRIDAY, OCTOBER 9 SESSIONS // 1:30pm – 3:00pm Session 3. Hermeneutics 2.0 Organizer: Anna Wilson,…
Comments closedThe 4th International Visual Methods Conference, organized by the University of Brighton will take place from 16th September to the 18th September 2015 at the University of Brighton in Brighton, United Kingdom. The conference will cover areas like International Visual…
Comments closedShift/Work: Performative Unlearning Dan Brown/Neil Mulholland Strand B: The Politics of Performance Alternative Zones: Uncovering the Official and the Unofficial in Fine Art Practice, Research and Education, Paradox Biennial Conference, 9-11th September 2015, Poznan, Poland. “It was immediately apparent to us that unlearning presented a…
Comments closedThe Unlearning Organisation: Cultural Devolution and Scotland’s Visual Arts 1967-2015 This paper sketches out the ways in which visual artists based in Scotland developed their own infrastructure in tandem with the devolution of state arts patronage from London to Edinburgh from 1967…
Comments closedNeil Mulholland – The Guest/The Host EAF Postcard for Marvin Gaye Chetwynd ______________________________________________ Interview: Marvin Gaye Chetwynd Sunday, 23 August 2015 from 11:30 to 12:30 (BST) Edinburgh Art Festival Kiosk, Blair Street Edinburgh, Scotland Aug 23, 2015
Comments closed@neoflagellants Panel 141 @IMC_Leeds 6th July 2015: 11.15-12.45 Neomedieval Aesthetics in the 21st Century https://t.co/kIQwdwTUIA Medieval archetypes such as pilgrimage, liturgy, anchoritism, relic-ing, alchemy, banquetry, palimpsesting, mumming, compagnonnage, gifting and commoning are popular practices and themes in contemporary art. Why are…
Comments closed2/6/15 I gave two short presentations at the ISRF Workshop: Social Science as Communication #Summerhall #Edinburgh http://t.co/yikqyqNS4i on: Atelier: Making Research Material Across the Creative Arts & Social Sciences In recent years, there has been a growing concern with materiality as a field…
Comments closedClosing Keynote for CHEAD Regional Seminar on The Role of Contextual Studies in Art School Education, The Glasgow School of Art 16/4/2015 I specifically address how the Juche mentality operates internally in art schools. Key to this is the connection between…
Comments closedEMBASSY Gallery Members Show 2015 January 23rd 7-9pm January 24th- February 1st Artists: Thomas Aitchison, Antonia Banados, Tessa Berring, Kirsty Boutle, Kate Bowe O’Brien, Emma Bowen, Carolyn Burchell, The Confraternity of Neoflagellants, Anna Danielewicz, Tim Dodds, Soosan Danesh, Mark Doyle, Micha…
Comments closedJanuary 23, 2015 School of Art, Edinburgh College of Art, University of Edinburgh (Hunter Lecture Theatre), 10.00 am with Hans Abbing, Evangelos Chrysagis, The Confraternity of Neoflaggelants (Norman James Hogg and Neil Mulholland), Angela McClanahan, Georgios Papadopoulos, Stevphen Shukaitis, Marina…
Comments closedA play featuring things from the Scottish Arts Council’s Glasgow Gallery (1968-74) and the first ten years of Third Eye Centre, Glasgow (1975-86) based on www.glasgowmiraclearchives.org Commissioned by ‘The Glasgow Miracle: Materials for Alternative Histories’, Glasgow School of Art. Click on the image below to…
Comments closedForthcoming text for Simon Martin book, Ur-Feeling, to be published by Artists’ Film & Video Umbrella, London Nov 20, 2014
Comments closedA forthcoming publication on Richard Parry’s Salon Neu project. www.artzimbabwe.org Nov 20, 2014
Comments closedTen Years in an Open Necked Shirt (p111-119) is my contribution to: GENERATION: 25 Years of Contemporary Art in Scotland Guide and Reader Edited by Moira Jeffrey National Galleries of Scotland and Glasgow Life Over the last twenty-five years Scotland has had…
Comments closedThe Four Seasons: MacInnes over Africa Words: Dr Pru Forrest, Newcastle Art Gallery, New South Wales. Images: Angus B. MacInnes African Affair paintings (2013-14). My presentation for the Steven Campbell Trust Lecture at CCA, Glasgow. (10 mins) Catalogue available from Hour Projects, Copenhagen The Steven Campbell…
Comments closedIn 2014, Shift/Work commissioned an artist (Leeds United www.leeds-united.org.uk) and designer (Crille Lampa www.crillelampa.se) to facilitate a three-day workshop at Edinburgh Sculpture Workshop. Shift/Work Unlearning (28-30th May 2014) acted upon current discourses and practices that engage with the values of…
Comments closedFirst shown: 8pm 20 Jul 2014 BBC4 Aug 1, 2014
Comments closed