“Serenovation: Unser Kampf gegen rebellische Mikrokörper / Our Struggle against the Rebel Microbodies” in 🧌 Monster Chetwynd: Moths, Bats and Velvet Worms! Moths, Bats and Heretics! ….is a lyrical, site-specific exhibition at Belvedere 21, activated and animated by performers and…
Comments closedCategory: Catalogue
Catalogue Text to accompany – Thomas Kilpper: The Politics of Heritage vs. the Heritage of Politics at Edinburgh Printmakers, Castle Mills, Foundtainbridge, April 2019. Thomas Kilpper The Politics of Heritage vs. the Heritage of Politics in production at Edinburgh Printmakers,…
Comments closedArtists in the City: SPACE in 1968 and Beyond Edited by Anna Harding Designed by Modern Activity Published by SPACE (Art Services Grants Limited) ISBN 978-1-9999278-0-6 Distributed by Cornerhouse Publications, HOME, 2 Tony Wilson Place, Manchester M15 4FN. Price £19.95 SPACE’s 50th Anniversary…
Comments closedI wrote a short report on Praktika II : which formed part of the 21 Years of Deveron Arts Celebrations in Huntly, December 2017 PDF is available from Deveron Arts (via this link) and from this link —————————————————– 21…
Comments closedhttp://www.evelynyard.com/exhibitions/lucy-stein-france-lise-mcgurn-present-neo-pagan-bitch-witch “I am out of the office with intermittent access to email. I’d love to help you, but… Sooooooh…. where are we at? It’s been a while. Let’s call it like I see it. I didn’t leave mergers and acquisitions,…
Comments closedTranstime, Techne & Enchantment: Torsten Lauschmann Text and Q&A commissioned by the Edinburgh Artists Moving Image Festival Dec 10, 2015
Comments closedA play featuring things from the Scottish Arts Council’s Glasgow Gallery (1968-74) and the first ten years of Third Eye Centre, Glasgow (1975-86) based on www.glasgowmiraclearchives.org Commissioned by ‘The Glasgow Miracle: Materials for Alternative Histories’, Glasgow School of Art. Click on the image below to…
Comments closedForthcoming text for Simon Martin book, Ur-Feeling, to be published by Artists’ Film & Video Umbrella, London Nov 20, 2014
Comments closedA forthcoming publication on Richard Parry’s Salon Neu project. www.artzimbabwe.org Nov 20, 2014
Comments closedTen Years in an Open Necked Shirt (p111-119) is my contribution to: GENERATION: 25 Years of Contemporary Art in Scotland Guide and Reader Edited by Moira Jeffrey National Galleries of Scotland and Glasgow Life Over the last twenty-five years Scotland has had…
Comments closedGENERATION: 25 Years of Contemporary Art in Scotland Guide and Reader Edited by Moira Jeffrey Over the last twenty-five years Scotland has had a growing reputation as an international centre of artistic innovation and experiment for the visual arts. These…
Comments closedJun 24, 2014
Comments closed‘Juche: Art School State of Mind’ in New Art West Midlands Catalogue 2014 Feb 2014 p. 25-28. Bradley, R. (ed.). Birmingham: Birmingham Museums Trust http://newartwestmidlands.org/wp-content/uploads/New-Art-West-Midlands-catalogue-2014.pdf Feb 4, 2014
Comments closedInspired by the art of Gavin Turk and the ideas in culture his work explores, This Is Not A Book About Gavin Turk is a collection of essays that reflect on big philosophical questions relating to art & life by…
Comments closedThe White Aesthetic Necessitated by the ‘Glasgow Miracle’ Publication accompanying the exhibition: “Two Invisible Case Studies” | Malmö Konsthall | Maud Sulter & Oladele Ajiboye Bamgboye | presented as part of 24 Spaces: A Cacophony | 29 July – 7…
Comments closed‘Bang the Whole Gang’, is my chapter on glam for Tate Liverpool’s current exhibition catalogue: Glam! The Performance of Style Tate Liverpool 8 February – 12 May 2013 £8.00/£6.00 (Gift Aid with donation) Irreverent and visually excessive, the Glam era…
Comments closedAn excerpt from the 2012 School of Sculpture Catalogue, Royal College of Art A 16mm reel projects a moving image of a rotating bike wheel. The bike wheel imitates the movement of the film through and around the projector’s carousels.…
Comments closedAug 29, 2012
Comments closedEvery day, for a period of ten years, Pete Horobin would document his activities on an A4 sheet. While the format changed annually, the DATA stencil and the A4 format remained the same integral part of his routine. The research-based…
Comments closed“Be up to date, and distinguished at the same time. Painting is over. You might as well finish it off. Detourn. Long live painting…” The gesture Asger Jorn speaks of here isn’t iconoclastic, it’s not simply a form of defacement…
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