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New Ways Of Seeing

0004187eA large part of what we do in the Digital Imaging Unit is fulfilling digitisation requests from all over the world from researchers and academics who want access to our collections. This week one request required three images from  Ms 195  “Poems Of Virgil” , which is part of the University’s Western Medieval Manuscripts Collection. The detail of the Heron ? or Crane? struck me as an astounding piece of work. The economy of line used to describe the plumage and structure of the bird is very accomplished. I felt this image is worth sharing in detail as it highlights the quality of visual literacy preserved within our collections. The detail also highlights that high quality capture of these works can aid discovery and give us insight into the material. If you compare the detail to the full image via the link to Ms 195 you can see how easily this information could be lost to the eye. The high quality capture provided by top of the range Hasselblad cameras gives us new “ways of seeing” the collections that in turn has multiple applications.

Malcolm Brown

Deputy Photographer

French Bible Historial Now Available in Book Reader

BookReader

When we started at the DIU at the beginning 2004, a project to digitise a beautiful French Bible known to us as Ms 19 was already half completed, our first job was to finish it. Once this was done it was archived up to server space, and sadly, for many years, forgotten. Which is why I am delighted to announce that it is now available in Book Reader format here http://images.is.ed.ac.uk/luna/servlet/s/523yw6 . Our volunteer Ellisa Manahova – Panagiotaki has been very busy preparing the images to go into the book reader- all 966 pages. Furthermore, volunteer Jessica Macaulay has been working on enhancing the metadata for us, which we hope to add in the coming months.

The Bible has some fantastic illuminations, including ones where God has, in an act of very polite censorship, been removed with gold paint. Enjoy!

Susan Pettigrew

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Photographing The Apocalypse Circa 1483

Recently the Digital Imaging Unit were asked to photograph all 8 illustrations from the book of the Apocalypse in Anton Koberger’s German Bible of 1483.  Shelf-mark Inc.45.2.  I have selected a few details from the illustrations here to demonstrate the quality of the line and its powerful descriptive impact. ” Koberger was the godfather of Albrecht Dürer, whose family lived on the same street. In the year before Dürer’s birth in 1471.”   Giulia Bartrum, Albrecht Dürer and his Legacy, British Museum Press, 2002, pp 94-96, ISBN 0-7141-2633-0  

Malcolm Brown

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CENSORED!

Last week I was sent a wonderful book, Deletrix – a collaboration between the artist Joan Fontcuberta, Catalan PEN and Arts Santa Mònica and it explores censorship and violence done to books. Thought provoking, and beautifully illustrated with images that have a strange haunting quality- indeed Fontcuberta challenges the audience as to whether the inherent beauty of the object can redeem the violence done to them. It has got me thinking about the items in our collections that have suffered changes at the hands of censors over the years.

Perhaps the one that immediately springs to mind is Micheal Servetus’ Christianismi Restitutio http://images.is.ed.ac.uk/luna/servlet/s/tv7257. It is thought to be the copy Servetus sent to Calvin; incensed by Servetus’ theories, Calvin ripped out the first 16 pages before he set the wheels in motion to have Servetus burned at the stake using his own books for the fire! (See http://en.wikipedia.org/wiki/Michael_Servetus for more information).
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However, there are many more censored images in the collection, often the result of religious belief & moral concerns. All the illustrations in the Genesis chapter of this French Bible appear to have God covered with Gold paint http://images.is.ed.ac.uk/luna/servlet/s/q28182
0026013dAnd there are many examples of people being defaced http://images.is.ed.ac.uk/luna/servlet/s/ir0qfd
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Further examples can be found below
http://images.is.ed.ac.uk/luna/servlet/s/75ig3v – perhaps an example of Victorian vandalism?
Or how about this one, where it looks as though the owners name and anathema has been deliberately erased http://images.is.ed.ac.uk/luna/servlet/s/55b726

More information on Deletrix can be found at the links below
http://nathaliepariente.wordpress.com/2012/11/05/nouvelle-exposition-joan-fontcuberta-deletrix/

http://www.flickr.com/photos/pencatala/sets/72157635582961896/with/10022317404/

http://www.youtube.com/watch?v=vr_AP8dK18w&feature=youtu.be

Many thanks to Ana González Tornero for the beautiful book, the links and information about the Deletrix Project.

Susan Pettigrew

11th Century Manuscript Digitisation Complete

DavidLaing
Notices of David Laing, 1878, Stevenson, Thomas George. Etching of the collector David Laing reading from Ms 12.

Hello & welcome to our very first Post!

It seems appropriate to kick off this blog with the exciting news that we have just completed the digitisation of one of the Special Collections oldest manuscripts- Ms 12, an 11th Century manuscript of Four Gospels from Germany.

When Bibliotheca Laureshamensis http://www.bibliotheca-laureshamensis-digital.de/ got in touch to discuss the possibility of photographing all 510 pages of the manuscript our Rare Books Librarian was thrilled by the re-emergence of this wonderful document & a joint digitisation project was soon agreed.

We hope to have this available soon in a book reader format, but in the meantime you can get a flavour of it at http://images.is.ed.ac.uk/luna/servlet/view/all/what/Ms%2012?sort=Work_Title,Work_Creator_Name,Work_Shelfmark

Laing 5
f.122r of Ms 12, Four Gospels, 11thC. German.

 

 

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