Any views expressed within media held on this service are those of the contributors, should not be taken as approved or endorsed by the University, and do not necessarily reflect the views of the University in respect of any particular issue.

field recording initial plan

Preparation 1: List of field recording contents

Things need to be done on the day of the recording
  1. Ambient sound of the whole day in space
  2. Conversations and the sound of the movement of pedestrians
  3. IR data of space(If adding some sound effects later, I can apply the reverb there)
  4. Vibrations on the steps(Trying to combine with ambient sound to enrich the audience’s listening experience)
  5. The dialogue and the sound of movement in our narrative

Preparation 2: Selecting the equipment

Equipment selection gives priority to flat frequency response, portability and availability.

Equipment list

  1. Sennheiser MKH 416
A short shotgun microphone with a super-cardioid polar pattern.
Use a shotgun microphone to:
Record the sound effect of pedestrians’ movements without disturbing them;
Record the dialogue and the movement in the narrative acting by our teammates.
  1. Sanken Cub-01 (MC31)&contact mic from ac workshop
Sanken Cub-01 (MC31): A boundary microphone for location recording.
Use a contact mic to:
Recording the vibrations on the railings;
Use a boundary mic to:
Get a cleaner, flatter and more natural sound for post-processing. Stick it up a little higher, it might be a good way to record the conversation from pedestrians.
  1. Two pairs of condenser mic
Schoeps MK6(cardioid pattern)/MK4 small-diaphragm condenser microphones
Use 2 pairs of condenser mic to:
Record rich and detailed ambient sounds based on Binaural;
Record IR data of space.
  1. Sennheiser – AMBEO VR Mi(x)
would face difficulties coping with envisioned set-up, so will no longer in use
Sennheiser – AMBEO VR Mic – Ambisonic Microphone
http://www.sennheiser-sites.com/responsive-manuals/AMBEO_VR_MIC/EN/index.html#page/AMBEO%20VR%20Mic/VR_MIC_01_Produktinformationen_EN.2.1.html#ww1012215
Use a pair of omnidirectional condenser mic to:
Record rich and detailed ambient sounds by ambisonics;
Record IR data of space.
  1. Field Recorder
F8 (8 microphone inputs Field Recorder) + H5
  1. others
Pc x 1
Mic stands x 2
Cables x 8
Stereo Bar x 1
AABatteries x n
Double-sided glue

Preparation 3 on the day of scanning

  1. Observe where it is suitable for microphones in new steps and draw a microphone layout before recording
  2. Observe the behaviour and dialogue of passers-by,adding contents to the dialogue and behaviour in the narrative
  3. A test recording with H5 to simulate the official recording and to see if there are any unforeseen circumstances

Preparation 4 Planning for the recording day

  1. 416 x H5 walking around to capture sounds flexible —— 2 People
  2. Other mic:record 5-10min per hour ,a guard is needed near each mic(pairs)—— 4 People
  3. Control DAW —— 1 to 2 Person
  4. Recording information (The recording form will be ready before recording)—— 1 to 2 Person
  5. Archiving and preliminary editing within one week of recording
Staffing arrangements do not have to be fixed, but handovers must be done carefully.
Chenyu Li

css.php

Report this page

To report inappropriate content on this page, please use the form below. Upon receiving your report, we will be in touch as per the Take Down Policy of the service.

Please note that personal data collected through this form is used and stored for the purposes of processing this report and communication with you.

If you are unable to report a concern about content via this form please contact the Service Owner.

Please enter an email address you wish to be contacted on. Please describe the unacceptable content in sufficient detail to allow us to locate it, and why you consider it to be unacceptable.
By submitting this report, you accept that it is accurate and that fraudulent or nuisance complaints may result in action by the University.

  Cancel