‘In ‘SCORES’, London-based artist Ghislaine Leung’s solo exhibition at Ordet, power, isolation and networks are made visible, in both a literal and metaphorical sense. The works exhibited rely on the circulation and consumption of energy to function; they also manifest the entangled relations of co-dependency with the art system and marketplace that allow an independent space, such as Ordet, to exist. The title refers to the set of instructions provided by the artist on the collocation of different ready-made objects inside the space, as well as to the orchestration of the potential movements of visitors inside it.’
