
Curatorial Notes: Re-evaluating Participation in the Cracks of Control
Last Saturday in In Vitro Gallery’s workshop Fear as a Method, my encounter with moss-clay hybrids echoed Shannon Te Ao’s…
Last Saturday in In Vitro Gallery’s workshop Fear as a Method, my encounter with moss-clay hybrids echoed Shannon Te Ao’s…
Pushing open the glass doors of the exhibition hall, I was confronted by a dark brown wooden table with an…
Sarah, your blog reads like a passionate manifesto—one that sharply critiques traditional curation while earnestly exploring the possibilities of community-driven…
Exhibition Revision Plan: The Interwoven Narrative of Time-Based Media and Intimate Power Dynamics Theoretical Framework: Inspired by Marcus Jack’s lecture…
From White Cube to Industrial Ruins: How My Glasgow Journey Reshaped My Curatorial Spatial Logic? Insights from Glasgow: Spatial Division…
Week 6 Blog: Touch, Body Heat, and Power Dynamics—Dissecting Intimacy in a Bar ‘When the Wine Glass Becomes a…
Oslo National Museum Visit and the Spatialization of Emotional Narratives——From The Scream to Curatorial Practice: Spatial Reconstruction of Emotional Resonance…
In my Week 3 Post, I reflected on how the practices of Martine Syms and Deirdre O’Mahoney converge on a…
Curating Intimacy: Experimental Models and Critical Reflections In my initial curatorial concept, I focused on how romantic relationships are socially…
Reconstructing Curating on Miro: How Our Group Challenged the White Cube Narrative Introduction: From Virtual Whiteboards to Real-World Experimentation “As…