
#18Curatorial Notes: Re-evaluating Participation in the Cracks of Control
Last Saturday in In Vitro Gallery’s workshop Fear as a Method, my encounter with moss-clay hybrids echoed Shannon Te Ao’s…
Last Saturday in In Vitro Gallery’s workshop Fear as a Method, my encounter with moss-clay hybrids echoed Shannon Te Ao’s…
Virtual Exhibitions and Digital Models: Navigating Intimacy, Power, and Budget in a Digital Space In our second session, Beichen introduced…
Pushing open the glass doors of the exhibition hall, I was confronted by a dark brown wooden table with an…
Location: On a bridge over the Seine River in Paris The Curator (C) and a sharp-tongued Visitor (A) stand on…
Sarah, your blog reads like a passionate manifestoâone that sharply critiques traditional curation while earnestly exploring the possibilities of community-driven…
Theoretical Framework: Inspired by Marcus Jackâs lecture on curating time-based media and Erika Balsomâs reflections on the materiality of moving…
An experimental field for constructing a community space in synchrony In a corner of Summerhall Arts, our “Collective Space” is…
From White Cube to Industrial Ruins: How My Glasgow Journey Reshaped My Curatorial Spatial Logic? Insights from Glasgow: Spatial Division…
The Intimate Paradox of Curation | Confusion Surrounds Međ In Adam LeLewis Jacobs’ lecture this week, centered on his own…
Touch, Body Heat, and Power DynamicsâDissecting Intimacy in a Tap   âWhen the Wine Glass Becomes a Scalpel: A Curatorial Experiment…