
Summary:

Everyone showed the sources of funding they had found in Miro, including specific amounts, applicable conditions, links to applications, and projects to which they might be adapted.

A number of students mentioned the importance of ‘spatial narrative’ and ‘rhythm of the exhibition’, which reminded me that in the linkage of the three parts of the theme (man and nature / emotional well-being / immersive sensory experience), not only the content should be connected, but also the overall sense of ‘plasticity’ should be conveyed through spatial transitions and the atmosphere of the exhibition. I was reminded that in linking the three themes (human and nature / emotional health / immersive sensory experience), not only the content should be connected, but also the overall sense of ‘plasticity’ should be conveyed through spatial transitions and ambience. As an emerging curator, I need to find a balance between budget, space and audience, and I have also learnt about some channels for supporting young artists and student programmes.

Outline of the session – miro board © 2025 by Chuni Mao is licensed under CC BY-SA 4.0
Part 1 – miro board © 2025 by Chuni Mao is licensed under CC BY-SA 4.0
Part 2 – miro board © 2025 by Chuni Mao is licensed under CC BY-SA 4.0
Group photo of the meeting © 2025 by Chuni Mao is licensed under CC BY-SA 4.0