This week’s field trip to Glasgow provided an opportunity to engage with a range of exhibitions and institutions, each offering distinct curatorial approaches. From the historical collections of the Hunterian Museum to the politically charged installations at GoMA, the trip… Continue Reading →

This week, I visited the MA CAP pop-opening at Inverleith House, an exhibition that showcased a variety of interactive and thought-provoking works. The show was rich in engagement, encouraging visitors to reflect on themes of nature, history, and accessibility. Many… Continue Reading →

Building on last week’s discussion, The Sleepwalkers continue to explore the politics of visibility and space in exhibitions. Our manifesto embraces nomadic, adaptable formats, challenging institutional constraints while engaging audiences in new ways. This fluidity aligns with Raqs Media Collective’s… Continue Reading →

Last week, The Sleepwalkers refined our manifesto, deepening our focus on mobility, accessibility, and collective decision-making. Rejecting the static white cube, we embrace a nomadic exhibition format that fosters inclusivity and fluidity, allowing exhibitions to take shape organically in response… Continue Reading →

In engaging with decolonial curatorial practices, I have been reflecting on Ruangrupa’s participatory model and its potential application within The Sleepwalkers. Their lumbung (collective sharing) approach provides a compelling counterpoint to Western curatorial structures that often prioritize individual authorship over… Continue Reading →

In my exploration of curatorial strategies for revisiting history, I have begun to question whether history should only be revisited through archives and objects. The traditional archive—filled with institutional records, catalogues, and official documents—often silences subjective, lived experiences. Oral history,… Continue Reading →

In this week’s research on artist-curators, I chose Paulina Olowska and discovered an interesting resonance with Fran Cottell’s House Projects. Both artists transform domestic spaces into curatorial sites, challenging traditional exhibition formats and redefining how space can be curated.  … Continue Reading →

As I begin my curatorial journey, I have chosen “Revisiting History” as the theme for my Speculative Individual Curatorial Project. This project will explore how certain artists, movements, or narratives have been overlooked or erased in mainstream art history due… Continue Reading →