In Week 10, our collective meeting focused on project updates, current challenges, and strategies for participatory curation. We shared a range of case studies and then brainstormed our own thematic proposals. I focused on designing an interactive element that would… Continue Reading →

Choose Your Filter!: Fragmented Time Visiting ZKM’s Choose Your Filter! highlighted how digital media fragments our sense of time and focus. The curated browsers and installations revealed each interface as a “raft of conceptual filters” shaping what we see and… Continue Reading →

During our tutorial, JL noted that “time poverty is not only a problem for East Asian women but also a structural, globalised issue, shaped by class and culture.”This insight made me realise that while my current exhibition—structured around “cognition–reflection–action”—emphasizes experiential… Continue Reading →

Reflection on FACT Public Projects In class this week, our group analysed the public projects of the UK-based FACT organisation. FACT’s Radical Ancestry exhibition employs methods of cooperative inquiry and co-creation, transforming audiences into active content producers through film screenings,… Continue Reading →

According to my new curatorial framework, the exhibition installation of artist Wenxin Zhang‘s work “Time Burns” is not composed solely of its own imagery. Through interlaced linear interventions and lighting renderings within the space, Wenxin Zhang constructs a concrete “thinking… Continue Reading →

The discussions across the two meetings formed the “internal and external perspectives” of my project’s development—shedding light on how to move the project from a conceptual framework to practical implementation. On March 23, our Terra Obscura group meeting—organized by Feng… Continue Reading →

This week, I participated in two group activities in the Summer Hall.In the first session, I focused on planning the curatorial rhythm and discussing the Week 9 course content with other group members. Curatorial Rhythm: From Timeline to Structural Negotiation… Continue Reading →

To Chuni: Immersive Visuals and Conceptual Clarity The core theme of your curatorial project, Life’s Fragility and Plasticity, is clearly articulated: life is constantly being “shaped, broken, and reassembled” by time, trauma, environment, and technology. From the beginning, you expressed… Continue Reading →

Why did I choose Tokyo Arts and Space? This week, I compared the exhibition structures, sociopolitical contexts, and curatorial resource distribution across China, South Korea, and Japan. 🇨🇳 China: High Structural Restrictions 🔗 https://www.instagram.com/mingcontemporaryartmuseum?igsh=cGh4N2djNmU0OGNx I visited the Ming Contemporary Art… Continue Reading →

Building on the idea of a hybrid curatorial model discussed in the previous blog post, this entry will further develop the concept of digital exhibitions in light of the Week 8 class content. In Curating the Moving Image, Mark Nash… Continue Reading →