Author: s2231109
What’s analogue nostalgia? Why analogue? What are the connections and differences between analogue and digital media? Why certain aspects that were once considered as disadvantages or problems of analogue media are now appreciated enthusiastically? What causes this retrospective revaluation of analogue media’s malfunctions and the specific noises they create? It has become a commonplace […]
For the embassy show, I will start present my work in from of a video installation consists of 3-9 flatscreen monitors mounted on metal tubes (or other forms of metal structures that I’m able to build in metal workshops). During my Monday group critic, Keith mentioned multiple artists including Gretchen Bender (https://hammer.ucla.edu/take-it-or-leave-it/artists/gretchen-bender), Brian Eno(https://www.youtube.com/watch?v=YQllM0qx3c0), Christopher […]
I’m still preparing my analogue equipments and looking forward to able to start shooting next week hopefully. I’m studying different film stocks and analogue cameras to make sure I know how everything works technically and what I’m looking for while shooting my project. I’m also doing more research on photographic theories/photographic realism/history of photography to […]
For this semester, I will continue to explore my obsession with constructed realty and fabricated narrative across various media, with a main focus on analogue color films using 35mm and medium format cameras (Olympus OM1, Olympus OM2n, Mamiya). I’m planning on further explore the intersections between digital and analogue technologies while producing works that demonstrate […]
Work in progress
Recent Work pdf https://www.harry-ma.com/color-perspective-people https://www.harry-ma.com/color-perspective-place
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