Ontario College of Art & Design Lecture Room 7401 205 Richmond Street West Toronto Monday 22nd April 2:00-3:00pm, Neomedievalism is not a singular theory but, rather, a series of provocative analogies for conceptualising post-Soviet geopolitics, globalisation, creative economics and aesthetics…. Continue Reading →
Pacific Northwest College of Art 1241 NW Johnson Street, Pearl District Portland, OR 97209. USA. April 11th 12:30-1:30, Room 118 Neomedievalism is not a singular theory but, rather, a series of provocative analogies for conceptualising post-Soviet geopolitics, globalisation, creative economics… Continue Reading →
‘Bang the Whole Gang’, is my chapter on glam for Tate Liverpool’s current exhibition catalogue: Glam! The Performance of Style Tate Liverpool 8 February – 12 May 2013 £8.00/£6.00 (Gift Aid with donation) Irreverent and visually excessive, the Glam era… Continue Reading →
An excerpt from the 2012 School of Sculpture Catalogue, Royal College of Art A 16mm reel projects a moving image of a rotating bike wheel. The bike wheel imitates the movement of the film through and around the projector’s carousels…. Continue Reading →
School of Fine Art, History of Art and Cultural Studies University of Leeds / Leeds / LS2 9JT 4:30-6:00pm Wednesday 17th October 2012 Oct 8, 2012
Performing Worlds, Generator Projects, June 12th 2012. I will read a future history: After the Creative Economy… The Deputy Prime Minister has revealed that he felt a deep-seated satisfaction when he saw a photo of Richard Floridas dead body for… Continue Reading →
Thursday 24th May 2012, 2:30-5:00pm A round table on cultural theory and policy after the creative economy Lanchester Gallery Projects, Coventry http://lanchestergalleryprojects.org.uk Chair: Prof Neil Mulholland, Professor of Contemporary Art, University of Edinburgh Dr Kirsten Forkert: University of East Anglia http://www.variant.org.uk/pdfs/issue35/CulturalLeadership.pdf… Continue Reading →
Every day, for a period of ten years, Pete Horobin would document his activities on an A4 sheet. While the format changed annually, the DATA stencil and the A4 format remained the same integral part of his routine. The research-based… Continue Reading →
“Be up to date, and distinguished at the same time. Painting is over. You might as well finish it off. Detourn. Long live painting…” The gesture Asger Jorn speaks of here isn’t iconoclastic, it’s not simply a form of defacement… Continue Reading →
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