Category Writing
4th BIENNIAL MEETING OF THE BABEL WORKING GROUP Centre for Medieval Studies, Lillian Massey Building, 125 Queen’s Park, University of Toronto, Toronto, Canada DAY 3: SUNDAY, OCTOBER 11 Un/Session 6. Mash Notes Co-Organizers: Helen Burgess (North Carolina State University) + Craig… Continue Reading →
4th BIENNIAL MEETING OF THE BABEL WORKING GROUP Centre for Medieval Studies, Lillian Massey Building, 125 Queen’s Park, University of Toronto, Toronto, Canada DAY 1: FRIDAY, OCTOBER 9 SESSIONS // 1:30pm – 3:00pm Session 3. Hermeneutics 2.0 Organizer: Anna Wilson,… Continue Reading →
The 4th International Visual Methods Conference, organized by the University of Brighton will take place from 16th September to the 18th September 2015 at the University of Brighton in Brighton, United Kingdom. The conference will cover areas like International Visual… Continue Reading →
Shift/Work: Performative Unlearning Dan Brown/Neil Mulholland Strand B: The Politics of Performance Alternative Zones: Uncovering the Official and the Unofficial in Fine Art Practice, Research and Education, Paradox Biennial Conference, 9-11th September 2015, Poznan, Poland. “It was immediately apparent to us that unlearning presented a… Continue Reading →
The Unlearning Organisation: Cultural Devolution and Scotland’s Visual Arts 1967-2015 This paper sketches out the ways in which visual artists based in Scotland developed their own infrastructure in tandem with the devolution of state arts patronage from London to Edinburgh from 1967… Continue Reading →
@neoflagellants Panel 141 @IMC_Leeds 6th July 2015: 11.15-12.45 Neomedieval Aesthetics in the 21st Century https://t.co/kIQwdwTUIA Medieval archetypes such as pilgrimage, liturgy, anchoritism, relic-ing, alchemy, banquetry, palimpsesting, mumming, compagnonnage, gifting and commoning are popular practices and themes in contemporary art. Why are… Continue Reading →
2/6/15 I gave two short presentations at the ISRF Workshop: Social Science as Communication #Summerhall #Edinburgh http://t.co/yikqyqNS4i on: Atelier: Making Research Material Across the Creative Arts & Social Sciences In recent years, there has been a growing concern with materiality as a field… Continue Reading →
Closing Keynote for CHEAD Regional Seminar on The Role of Contextual Studies in Art School Education, The Glasgow School of Art 16/4/2015 I specifically address how the Juche mentality operates internally in art schools. Key to this is the connection between… Continue Reading →
January 23, 2015 School of Art, Edinburgh College of Art, University of Edinburgh (Hunter Lecture Theatre), 10.00 am with Hans Abbing, Evangelos Chrysagis, The Confraternity of Neoflaggelants (Norman James Hogg and Neil Mulholland), Angela McClanahan, Georgios Papadopoulos, Stevphen Shukaitis, Marina… Continue Reading →
A play featuring things from the Scottish Arts Council’s Glasgow Gallery (1968-74) and the first ten years of Third Eye Centre, Glasgow (1975-86) based on www.glasgowmiraclearchives.org Commissioned by ‘The Glasgow Miracle: Materials for Alternative Histories’, Glasgow School of Art. Click on the image below to… Continue Reading →
