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Category Criticism

Oor Glasgow

            I’m in this. video.frieze.com/film/Glasgow In their first half hour film frieze asks a host of artists and curators – including Laura Aldridge, Duncan Campbell, Alasdair Gray and David Harding – to reflect upon the past, present and… Continue Reading →

Mother Tongue: The White Aesthetic Necessitated by the ‘Glasgow Miracle’

The White Aesthetic Necessitated by the ‘Glasgow Miracle’ Publication accompanying the exhibition: “Two Invisible Case Studies” | Malmö Konsthall | Maud Sulter & Oladele Ajiboye Bamgboye | presented as part of 24 Spaces: A Cacophony | 29 July – 7… Continue Reading →

Can Play, Won’t Pay

Without a healthy cultural life there is no self-determination, nobody to imagine nationhood, to generate an image of who we might have been, of who we are, and of what we might like to become, writes Neil Mulholland http://bellacaledonia.org.uk/2012/03/03/can-play-wont-pay/ Mar 3,… Continue Reading →

Inspiring Capital? Art in Scotland

The recent future of Scottish Art Robin Baillie and Neil Mulholland An energetic discussion recorded over two sessions, Baillie/ Mulholland get to the crux of the issues raised by Craig Richardson’s recently published book ‘Scottish Art since 1960: Historical Reflections… Continue Reading →

Who Are We Writing For?

Who Are We Writing For? A symposium exploring the strategies for communicating contemporary art in the public realm To celebrate and complicate world-renowned Swiss artist Roman Signer’s premiere of his new work, Transmissions from the River (Übertragungen aus dem Fluss),… Continue Reading →

Present Absent

‘Present Absent’ Follow the link to download: http://cs.anendlesssupply.co.uk/content/5.projects/9.19-08-11/19-08-2011.pdf Countersituation is the title of an ongoing series of weekly published pages, initiated by An Endless Supply with Adam Smythe. Each issue is a double-sided sheet of new writing, simultaneously printed and distributed in short-runs… Continue Reading →

‘The Curator’

Response to British Art Show 7: In the Days of the Comet in the forthcoming Art Review. Part of a series of responses commissioned by JJ Charlesworth. Art Review archives older issues here: http://www.artreviewdigital.com/index.cfm/artreview-digital/store.archive Jul 26, 2011

Step by Step Guide to Midsummer | Jo Robertson

Step by Step Guide to Midsummer A difficult artist to grasp, it’s not my intention to elucidate the full range of Robertson’s misdemeanours and accomplishments. Others have done that both with dull employment and mischievous intensity; send them out as… Continue Reading →

Notes on Groundcourse

Notes on Groundcourse – Neil MulhollandThe Groundcourse was a two year foundation that ran at Ipswich School of Art from 1961 onwards. Discussions of this course now tend to focus on its impact upon online learning environments, cybernetic art and… Continue Reading →

‘The Dark Knight Returns’ online now in the March issue of Art Review

You can read my feature ‘The Dark Knight Returns’ online now in the March issue of Art Review at http://www.artreviewdigital.com/ More neo-medieval stuff to follow with Norman Hogg and The Confraternity of Neoflaggelants…. Image by Adam Semeiko. Mar 16, 2010

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