In a parallel universe, Darren Banks makes drawings of enigmas, blobs, microbes, and beasts from beyond. In this, his elusive process of slow erasure produces phantasms of a homespun calibre. A collage of film clips feature (or rather don’t feature)… Continue Reading →
“The world is full of objects, more or less interesting; I do not wish to add any more. I prefer, simply, to state the existence of things in terms of time and place.’’ Douglas Huebler (1970) The dematerialisation of art… Continue Reading →
Keith Farquhar – Living Logo (Jannica and John) (2008) Free-standing life-sized photograph mounted on card. Actual-size cardboard cut outs, Keith Farquhar’s most recent photographic works share the manufactured haptic qualities of his sculptures. The latest in the series re-animate the… Continue Reading →
What is British Art? A Third Text Project Friday 10th October 2008 Tate Britain Oct 2, 2008
Also at http://kimcolemanjennyhogarth.co.uk/texts/awfully_good.htm As a title for this exhibition, an oxymoron perfectly encapsulates the understated dynamics of its subject matter: light. The scene it sets is expressive rather than representative; it shape-shifts. The scene it sets is definitely possible…. Continue Reading →
Back Garden Biennale 2008 Edinburgh, Scotland Art today tends to lodge in spaces. ‘Nice space’ all intone in unison when encountering yet another opening in the great white indoors. Such spaces are significantly devoid of detail – they take little… Continue Reading →
9th May 2008 Neil Mulholland ‘Grad (Ohne Titel)’ Showing @ Pecha-Kucha Royal Institute of Architects Scotland Edinburgh International Climbing Arena May 5, 2008
Despite common parlance, globalisation is not a synonym for contemporary neoliberal capitalism; it is rather an historical process of cultural drift and metamorphosis. It concerns the ways in which lots of small local networks connect to form an international matrix…. Continue Reading →
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