Astronomical Knowledge in Fourteenth Century Motets: The Example of Febus mundo oriens

Cognitive and auditory alterations in Vincenzo da Rimini’s caccia «In forma quasi»?

Lost, found & lost again: Revealing material traces of Johannes Zwicks’ Konstanzer Gesangbuch (1538)

DIE GRANER NOTATION IN DER SLOWAKEI. In Memoriam Janka Szendrei

The Melodies of the Missa Graeca-Chants

Singing Jane Shore: Music and Propaganda in Richard Legge’s Richardus Tertius

The Gude and Godlie Ballatis Noted / Tunes and Contrafacts in Early Modern Britain

The Anthems of George Marson

Trent 89: beyond the edition

Supplementum ad Graduale Romanum

Ecclesiastical Power, Civic Authority: Reconstructing the Feast of St. James the Greater at Pistoia

Latin songs from the Prague University around 1400 and their renaissance

Musical duties of the City Trumpeter ca. 1550–1620: parallels between Moravia, Bratislava and Vienna

Cadential refunctionalization over Binchois’ temor Comme femme desconfortée: New observations on the double cantus firmus technique in Ghiselin’s Inviolata, integra et casta es, Maria

Proposal for new research methodologies concerning the transmission of musical and lyric forms from medieval al-Andalus into Early Europe

List of Musical Symbols According to the 10th/11thC Georgian Neumatic Codices

Medieval and Renaissance musical, literature, architecture, fresco and icon artworks dedicated to the Georgian Female Saints

“Convincingly Sung: the influence of delivery instructions from the Rhetorica ad Herennium on conducti and motets from the ‘St. Victor’ manuscript”

Music to reach heaven: sixteenth-century Barcelonan convents in urban life

“In dust and sand and dark soil” – Funeral Songs in Swedish Prints and Manuscripts from the Early Seventeenth Century”

Music and Liturgical Practices of Funerary Rituals in Counter-Reformation Barcelona

Contrapuntal Direction as a Diagnostic Tool in the Early L’Homme Armé Mass

Exploring Watermarks in 16th Century Bavarian Music Manuscripts

Scribal creativity and performance practice in the instrumentally conceived four-part music in P-Cug, MM 242 and MM 48

Composers, Scribes, and Notational Agency

New Light On Some Doubtful Attributions In Palestrina’s Pro Defunctis Repertory

The lute, the sonnet and the making of a chanson in the late 16^th century: about an unidentified setting of the Amours de Francine in the tablature books of Charles de Croÿ

Alessandro Sfoi: An introduction to a lost composer

Wolfgang Fuhrmann

(Only Wolfgang for Q&A)

“Arab problem and Musical Practice in the Middle Ages” (1933): An unknown contribution to music historiography by Edwin von der Nüll

‘Belonging without believing’: contemporary singers’ encounters with Renaissance polyphony

A Question of Symbolism: Should Notational and Transcription Methods of Neumatic Music be Revised?

From Silesia to Pennsylvania: interdenominational circulation of vernacular hymns

‘Rangy’ Psalm Tunes? Singing Scottish Psalms in the Early Modern Period

Fathoming a New Reality in Song – the Birth of the Dutch Republic

Introduction: Harmony, Virtue and Display

Imagery and Instrumental Music at the Court of Maximilian I

The Arrival of a Queen and the Departure of a Prince: Music for Maria de’ Medici and Heinrich Posthumus Reuss

Self-Contrafaction in Paris and Arras: Trouvère melodies made for multiple lyrics

Putting Faith in a Song: The Cantigas de Santa Maria and States of Play

“La rana e.l rossinhols: Interactions between Human and Animal Voices in Troubadour Song”

Sound, song and violence in thirteenth-century crusades

Aspice Domine, quia facta est desolata civitas. Intertextuality as a Means of Worship Under the Turkish Menace

Unnamed Semibreves in Pre-Franconian Theory: ‘Opposita proprietas’ and Reduction to a Three-Note Ligature

De Semibrevibus: An insight on the early theory of the Italian divisiones

“Marchettan” divisiones in practice? A new look at some compositions from the Rossi codex

Dancing with God?

The Senses of Early Modern Dance

Towards the “Integrated Performance”: The Thorny Relationship between Polyphony and Monody

Singing the notationally complex songs of Biblioteca Nazionale Universitaria, MS J.II.9

“These External Manners of Lament,” or, King Lear’s Missing Mad Song

The notational evidence of W1 as an artefact of an oral culture of Notre Dame polyphony at St Andrewse

‘Sweet’ and ‘Spic[y]’ Music in Sixteenth Century Britain

Chez Schedel: Eurovision 1466

Exploring the Career of Hans Neuschel of Nuremberg: Instruments and Instrumental Music in the Holy Roman Empire c. 1500

Revisiting Louise Cuyler’s Emperor Maximilian I and Music c. 1973

The Role of Rounds and Catches in Sixteenth-Century English Society

Propagandistic Sensory Rhetoric of Charles I, 1647–49

Feminine Voice, Sound, and Disability in Elizabeth Tanfield Cary’s The Tragedie of Mariam (1613) and Mary Sidney Herbert’s The Tragedie of Antonie (1592)

Humanism, Music and Lighthearted Drinking Sessions — Wilhelm Breitengraser in Nuremberg

Buchtrucker(in) –Women and the (Music) Book Trades in 16th-century Nuremberg

Music as pedagogical tool

Renovating processional practices around 1500 in the Iberian World: the case of the chant at the two cathedral chapters of Zaragoza

The liturgy of the saints in Roman sources from the monastery of San Juan de la Peña (12th to 15th centuries) | La liturgia de los santos en las fuentes de rito romano del monasterio de San Juan de la Peña (siglos XII al XV)

On A Fifteenth-Century Italian Compilation Of Music Theory Again: New Light On And Old Issues About Bruxelles, Bibliothèque Royale, Ii 785

Ockeghem the Mathematician: Decoding Presque transi

Remembering, Reading, and Retelling: Bending Genre in the In pace in idipsum Complex

“Imploring the Spirit with tearful sighs from the depths of our souls”: a confluence of music, theology and iconography within the Armenian Divine Liturgy

From Ephesus to ‘s-Hertogenbosch: Manna and the Mystery of Non-Death in Chants for the Dormition of St John the Evangelist

Processing System Of Medieval Notated Manuscripts In Slovakia – Medieval Notated Fragments As A Phenomenon Of Trans-Regional Connections

From private meeting room to public auditorium:  the development of the Roman confraternity oratory as a musical performing space during the sixteenth century.

Counterpoint ‘Localisation’: Vestiva i colli in Rom and Munich

Hypothetical (Historical) and Virtual (Modern) Performance: some Implications of the Linlithgow Chapel VR Project

Clerks and Chaplains: Christus Vincit in the court of Henry III

The Office for St Catherine in a Notated Breviary of the Late 13th Century

Owners, Scribes, and Users of a Fifteenth-Century English Missal (London, British Library, Additional 25588)

How to make a ten-voice mass in sixteenth-century Scotland: Robert Carver’s Dum sacrum mysteriumat the intersection of composition and improvisation

Ricercari comunemente sono appellati si fatti suoni licentiosi: Improvisational techniques in the Italian Lute recercare and fantasia, 1507-153?

The Horace motets, two incomplete sets of motets from RCM2037

Between Voice and Instrument: Girolamo Dalla Casa’s Diminution Technique Focusing on His Il secondo libro de madrigali (1590)

Zorzi Trombetta da Modon: Wind Players Learn to read Music

Martoretta’s lyre: tracing the roots of a mediterranean instrument

At the Fountain with Okeghem: Josquin’s Nymphes des bois and the Poets

A New Date for an Important Josquin Manuscript: Watermark Evidence in Cambrai Ms. 18

The Imitation Generation

Philippe Rogier and the soggetto cavato mass tradition at the end of the sixteenth century

Variations on a Theme: Flemish and Italian Polygonal Virginals inside the Painter’s Studio

A Daughter’s Pride: Lavinia Fontana’s Self-Portrait at the Virginals

Vividness and “Visual Music” in Girolamo dai Libri’s Altarpieces

Singing The Whole Booke of Psalmes

Later career of John Taverner

Civic Processions and the Performance of English Catholicism under Mary I

Order and Finality in the Agnus Dei of La Rue’s MissaL’homme armé I

Crusading Propaganda and Fifteenth-Century L’homme armé Masses

The Naples L’homme armé Masses: A New Connection

Ichiro Fujinaga

Exploring Renaissance Music Using N-Gram Aggregates to Summarize Local Musical Content

Computer-assisted analysis as antool for attribution: the case of the anonymous O decus virgineum and Ave verum corpus natum from the manuscript Tarazona 2/3

Classifying the works in the Josquin Research Project dataset by modelling the transitions in their symbolic chromagrams

The OrWarrior and the longing poet: medieval revival in Israeli rock music

Public Solitude: The Paradox of the Operatic Anchoress

Towards a Decolonized Medievalism