Money Questions – February 2024
What questions emerge across multiple disciplines as arts, humanities and social science scholars think about money in the contemporary context?
The individualisation of money and finance
- How and to what extent are existing financial services and technologies shaped by the assumption that money is an individual affair – creating barriers to collaborative practices? Who is disadvantaged by this? And could it change?
Money and gender and masculinity
- Who is ‘Rational Economic Man’? How does this ‘character’ shape how money is represented – as well as systems and practices around money?
- What’s the image of the ‘financial expert’? Who is representing as understanding, or having power over, money – and whose expertise is listened to?
The materialisation and dematerialisation of money
- What are the effects of imagining cashless/virtual money as ‘immaterial’ – and what about the material and environmental effects of our money systems?
Money and character, reputation, interest
- How does money represent or reframe the self, identity, relationships?
Money and temporality, time, the future
- How is money represented as a way of controlling the future, or of buying and funding future solutions to present problems?
- How are ways of thinking about and representing money linked to assumptions about progress, the valuing of the new over the old, etc?
- And what other ways of thinking about ‘money and time’ are available? What about reverting to, or rediscovering, past forms of money? What about ‘sustaining’ rather than changing/progressing? And what about the apocalyptic moment – money disclosing or revealing hidden truths?
Themes for Communication and Engagement
Developing financial fluency – not just ‘financial literacy’!
- Fluency implies being able to respond creatively and do things differently – not just to read or repeat a given script
‘Taking money from the invisible hand and putting it back in the community’ – inclusion and empowerment
Approaches to Communication and Engagement
The ‘alternative money expert’ – juxtaposing historical and/or fictional voices with contemporary questions
Using arts and humanities work as a way of exploring alternatives – including through collaboration with artists – and including engagement of policy makers in different approaches
Interactive interview work in public spaces – creating materials with not (only) for
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