When constructing the spectral chords previously referenced in submission 1, and in the previous blog, I created two harmonies aesthetically distinct from the rest of the content. These harmonies where diatonic, and in some ways more ‘consonant’ than the rest of the chords. I felt that these harmonies created a peaceful and ambient harmonic wash.
I felt these stuck out too much within the ‘sea/ocean’ section. However, they did fit well as a basis for the consonant section. I then formed 2 ‘fused chords’ which stuck together different aspects of each chord, and attached them together to derive more diatonic harmonies.
These has been applied to multiple different timbres used throughout the instillation, to give further coherence and connection throughout.
