Month: February 2022
Bonnie Camplin’s installation for a Needle Walks into a Haystake, The DSV (2014), was a magnification technology for the enhanced observation of small objects. It incorporated an ultra-specific protocol. A serious…
‘jumping back and forth between parallel planes – encounter a soft digitalism, recalling a rough analog travelling bodies stuck between two worlds mired within a twilight zone amid…
Making a 3d model in parts for a mould to use in sand casting in the hot glass workshop next week. Also testing adding different textures/colours to the…
‘The exhibition draws us into a world of theatricality and disorientation in which the familiar is re-imagined in light of a destabilised future. A decommissioned medical site is…
Testing using packaging peanuts – not sure if I would keep them in their current form or cast them into another material e.g. jesmonite sandstone or bioplastic Feb…
‘In ‘SCORES’, London-based artist Ghislaine Leung’s solo exhibition at Ordet, power, isolation and networks are made visible, in both a literal and metaphorical sense. The works exhibited rely…
‘The exhibition draws us into a world of theatricality and disorientation in which the familiar is re-imagined in light of a destabilised future. A decommissioned medical site is…
‘The artist encouraged the growth of an unexpected crystal form within a derelict development near the Elephant & Castle in south London. 75,000 litres of copper sulphate solution…
Feb 1, 2022
I watched the crows pick these up, crack the shells, eat the snail and leave the shells on the road. Feb 1, 2022
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cast layers of undulating surface Feb 1, 2022
