βͺοΈArt assignmentβobject empathyΒ
In this practice I relate to my relationship with my boyfriend, This is something that requires two people to work together. I used a catheter to express it. Tears are the only way we communicate directly, any art needs a bond as a bridge to connect. Professor Neil recommended an excellent Japanese work to me, (Kintsugi), its focus is not on repairing objects so that no damage can be seen, but on using gold powder to keep the cracks intact Down, become a track of memory.
βͺοΈWicked Art – I chose a one-minute sculpture, I tied a rope to an ice cube, then I took the ice cube to the ground outside, pulled it for 1 minute, and ended up with a half-melted ice cube.
βͺοΈWorkshop – We conducted reflections by participating in 3 different time-limited practices. The whole process is like a resource library, using limited materials to create. The professor showed us a work of art. The creator did not use a lot of materials. Most of the “garbage” collected on the ground or from unknown places made a very beautiful work of art.
πΊThis brings me to our problem scenario, what can we do if only a few resources are given to us? How to maximize the use of resources to achieve their design goals?
This is very similar to the shared resource platform in art assignments, through the sharing website to watch and learn various creative works of art to inspire inspiration. Some maximized use of public platforms, such as: sharing the creative process, the final success, and failure process, reflection and revision, etc., all have a positive impact and can stimulate people’s imagination.
Then when there are few resources available, maybe I will think “how to maximize the use of online resources?” “Can this be a grounded learning method for me?” “How should the funds obtained be used? “There’s going to be a lot of questions coming in.
I try to review and reflect on my problems using the four steps of the Synthetic Reflection Cycle.
β«οΈOnline resources – take the practice of art assignment as an example, for design practitioners to get new ideas from other people’s works of art, we can also get the support of technical software, but when resources are few, maybe we can use other Social media promotes and recommends, allowing more people to share works and reflections on the platform, and set up a space for people to communicate freely. New ideas collided in this way.
β½οΈHow the funds are used – When we only get paid when we complete tasks, this becomes a big problem, and it is difficult to operate without funds. Then if you try to charge some fees to the scholars who use the toolkit, such as a small amount of download of individual software, and paid to view individual literature and courses, it can not only get funds in advance to operate but also meet the needs of learners.
β«οΈSo is this a grounded way of learning for me? In my opinion, it will. Open resource sharing is also a future learning trend. Without such a platform, we cannot get the latest design dynamics and trends. But again this is not the same as an educational toolkit. Every industry has different needs for toolkits. The art industry focuses on ideas and practices. Sharing good works can inspire new inspiration. The basic content provided by the general education toolkit mostly plays an auxiliary role.