Author Tara
I have experimented with photographs and drawings of ‘the ordinary’. Simple memories, catalogued in photos. I enjoy extracting linear form from photos of ‘memories’ or even things you wouldn’t particularly remember. The obscured layered image creates dimensionality and a dialogue… Continue Reading →
Photographic Animation Scottish National Gallery of Modern Art The Deccan Trap is a sci-fi fable that goes back in space and time, with one layer at a time revealed from a cut-out collage of stacked images. The piece jumps from… Continue Reading →
This short animation explores themes of memory, structure and layers. Taken inspiration from Lucy Raven’s ‘The Deccan Trap’ 2015. Sound is yet to be added to this piece, however I am considering making a collaborative sonic artwork in the… Continue Reading →
Deep See Blue Surrounding You (writing in progress) Laure Prouvost presented an interactive and mulit-faceted installation piece at the French pavilion. Provoust used film to investigate self identity and nationality, while complementing this with a tactile and sculptural immersive environment… Continue Reading →
Reflection: “The mundane has become the extraordinary” Myself and 4 others met up in C.06 studio to have a socially distanced, student-directed crit. Just like the ‘good old days’. Except entirely different. ECA studios lie empty and uninhibited. The sculpture court,… Continue Reading →
Using a spotlight, I experiment with low key lighting. The splash-like sporadic shapes project onto the back wall and create a repeat silhouette image of the presented work. Given that the room was half-lit already, the projections aren’t as dramatic… Continue Reading →
32 different acetate tiles with poured shapes on them. Assembled in a grid formation and held up in a metal frame. It seems each frame is far apart from the other. Maybe my artwork has began to socially distance itself… Continue Reading →
Bespoke metal frames Soon to be suspended in space.. or mounted on a plinth.. or both. linear artwork and acrylic poured shapes on acetate/PVC will be displayed within the frames, in a grid format. I will use a spotlight to… Continue Reading →
Autumn 2020. India ink on A2 paper. -October 2020- Big aul’ line drawing for Autumn 2020. I have used imagery that is personally significant to me. These pictures hold special memories from exclusively September and October 2020 and depict the… Continue Reading →
These works do not define a turning point or indicate significant influence. However, they make statement on present experimental research and the beginning stages of a greater outcome. Just another stepping stone towards the end goal.. Research informing practice. Unresolved… Continue Reading →
