Tracing Back


“During the pandemic, I was able to focus on my own research, which resulted in a new dimension to the painting series I am now working on.”


Waiting, 21x30cm, Oil on board, 2021

Fig, 30x42cm, Oil on board, 2021

Mantilla, 30x42cm, Oil on board, 2021


Natalia is a Spanish artist focusing on adapting traditional techniques and formats from icon paintings. Through this, she explores the traces we have been left with from traditions that have prevailed over mainland Europe for centuries and their capacity to continue to exist through time. She is also the co-director of Subsidiary Projects, an artist-led space to promote the work of emerging artists.

Natalia 作为一位西班牙艺术家,其主要关注在标志性绘画作品中体现出的,对于经典绘画技法与构图范式的借鉴意义。此外,她试图以上述课题为手段,对曾于欧洲大陆盛行数个世纪的传统范式发展轨迹进行探索,并试图剖析出其能历经数百年的作用内核。同时,她还在位于伦敦,以“打造一个优化艺术家作品,并由艺术家主导的空间”为创立意图的Subsidiary Projects画廊担任联合主管。


The names would be abbreviated as “Isabel” (Isabel DIERINGER) and “Natalia” (Natalia GONZÁLEZ MARTÍN).


Isabel: How did you organise your work and life during the pandemic?

Natalia: With the lockdown measures, many artists weren’t able to access their studios, which has translated into adapting our domestic spaces and consequently our practice, to create. In my case, the main difference is in the scale of the work, which has been reduced considerably to fit in my home studio.




Isabel: What is different from before the pandemic?

Natalia: Before we could discuss our work and other artists’ IRL, now studio visits have been reduced to zoom calls which isn’t the best tool for the appreciation of some mediums. That dialogue has been lost in some ways but enhanced in others. Instead of discussing the work itself, I find myself sharing tips or advice with other artists that I haven’t even meet in person yet – however, I am eager to be able to see art in person again and talk about more formal elements.




Isabel: What is the biggest change you have been through or found? In other words, what is your Covid-pivot?

Natalia: Isolation has brought a lot of introspection for everyone, now that my time wasn’t packed with different events or appointments constantly I have been able to focus a great part of my day on research, which has really given a new dimension to this new series I am working on.

Isabel:你经历或发现的最大变化是什么? 换句话说,你的转折点是什么?



Isabel: What is your most proud creation since the pandemic started?

Natalia: For the past two years, I have been developing the same series of work, however, I am currently working on the development of a solo presentation and creating new pieces where all of these ideas meet.




Isabel: When did you start this project/artwork?

Natalia: The works for this particular exhibition which will take place in September have been in the making since November 2020. I have been able to explore the ideas and subjects that I had been developing during the past years.


Natalia:这个作品自2020年11月开始创作,并将在今年9月于展览上问世, 这一作品涵盖了我过去几年以来的探索和我一直在思考的想法和内容。


Isabel: What inspired you to embark on this project/start creating this artwork?

Natalia: I had created a solid trajectory of works that were all related to the same subjects, a solo exhibition of these was the most logical progression.




Isabel: What does this artwork mean to you?

Natalia: It has been an exploration of Spain and its traditions. I have been visiting old photographs, stories, folk songs to develop these. During a time where I could not visit my family and my country, this series of work has been almost therapeutic.


Natalia:这是对西班牙及其传统的探索。 我一直在研究一些相关材料,如旧照片,故事,民歌以进行铺垫。疫情时期,由于我无法回到我的祖国,所以这些研究工作也是对我的一种慰藉。


Isabel: Has the pandemic had an impact on your work/work plan? (Was there any change in your thinking focus?)

Natalia: I have always balanced my practice with another job, but with the money, I was saving from not having a studio I decided to focus solely on my art career. This has been the best decision I could have taken as my work has evolved much quicker than it would have if I had had a part-time job. It is not easy to do this and in my case, I needed the world circumstances to change in order to take this step.

Isabel:疫情期间你的工作/工作计划有被影响吗? (你的创作重心有什么变化吗?)



Isabel: If this applies, is there any funding for freelancers or artists in your city or in your country?

Natalia: The Arts Council has offered a lot of support for artists and art organisations during this time. Galleries, art magazines and other organisations have also been incredibly supportive by offering grants, free studio spaces or exhibiting opportunities.




Isabel: Have your feelings about art now changed from your first encounters with it, or rather before the pandemic? If so, how?

Natalia: The pandemic has allowed me to realise the importance of a strong online presence. Social media has been key to connect with galleries, artists and collectors from all over the world, which helps expand our networks.


Natalia:疫情的爆发使我认识到互联网存在的重要性。 社交媒体一直是连接来自世界各地的画廊、艺术家和收藏家的关键,这有助于扩大我们艺术的传播和影响范围。


Isabel: Do you think the arts will mostly remain/move online after the pandemic?

Natalia: I still believe it is important to experience art in person, some art mediums cannot be translated to an online format, however, some artists have evolved their practices to fit the digital realm, a very clear example of this are NFTs, and the hunger for innovative digital proposals is undeniable.




Isabel: How do you see the relationship between technology and art?

Natalia: This pandemic has definitely changed the way we approach art and technology, the differences between the two have become more blurry and I think this is a great opportunity towards a more 21st-century approach to art and its market.




Host: Isabel DIERINGER
Contact Person: Isabel DIERINGER
Planner: Isabel DIERINGER
Text: Isabel DIERINGER
Translator: Jiaqi GAO
Proofreading: Calum BAIRD